On the Charts: Mamma Mia, M.I.A., Conor Oberst, The Verve


mojo-photo-charts0814.jpg

Various combinations of the letters “m,” “i” and “a” did pretty well on the Billboard US charts this week, plus we can all celebrate the fall from #1 of the eardrum-rupturing “I Kissed a Girl.” Hooray! First, on the album chart, the Mamma Mia soundtrack jumped to #1, which is a little weird since the movie is currently a weak #6 at the box office, just behind the Traveling Pants sequel. Well, as we all know, people like ABBA. The rest of the Top Ten consists of standard fare like Miley Cyrus, Kid Rock and Coldplay, although Omaha’s got reason to celebrate this week, as favorite son Conor Oberst‘s self-titled album debuts at #15, while The Faint‘s Fasciination sneaks into the Top 50 at #46. Take that, Boise!

On the singles chart, Rihanna dominates, as her terrible adventure-in-autotune robo-electro number “Disturbia” climbs to #1, while the marginally better “Take a Bow” sticks around at #4. Lesson: America likes Rihanna. But holy Clash samples, ladies and gentlemen: M.I.A. is now officially a Top 5 Artist in the U. S. of A., as “Paper Planes” jumps 11 spots to #5 on the strength of online sales inspired by Pineapple Express commercials. It’s like I’ve woken up in some strange bizarro world; what next, a #1 hit for Portishead? The track is down a bit on iTunes today, from #2 to #5, so this may be its chart peak, but hey, we’ll take it.

After the jump: Richard Ashcroft explains sightlessness.

Elsewhere in the world, The Verve‘s comeback single “Love is Noise” debuts at #5 on the UK singles chart this week. I’ve said many times I find their non-“Bittersweet Symphony” output turgid and overreaching, and this isn’t a ballad, at least, but it’s still a bit dull. Plus, the line “I was blind/I couldn’t see” makes me cringe. Their new album Forth will be out on August 26th, and leaked copies are getting good reviews (plus it’s got a pretty cover), so I’ll reserve judgement until I hear the whole thing. Watch the video for “Love is Noise” below.

DOES IT FEEL LIKE POLITICS IS AT A BREAKING POINT?

Headshot of Editor in Chief of Mother Jones, Clara Jeffery

It sure feels that way to me, and here at Mother Jones, we’ve been thinking a lot about what journalism needs to do differently, and how we can have the biggest impact.

We kept coming back to one word: corruption. Democracy and the rule of law being undermined by those with wealth and power for their own gain. So we're launching an ambitious Mother Jones Corruption Project to do deep, time-intensive reporting on systemic corruption, and asking the MoJo community to help crowdfund it.

We aim to hire, build a team, and give them the time and space needed to understand how we got here and how we might get out. We want to dig into the forces and decisions that have allowed massive conflicts of interest, influence peddling, and win-at-all-costs politics to flourish.

It's unlike anything we've done, and we have seed funding to get started, but we're looking to raise $500,000 from readers by July when we'll be making key budgeting decisions—and the more resources we have by then, the deeper we can dig. If our plan sounds good to you, please help kickstart it with a tax-deductible donation today.

Thanks for reading—whether or not you can pitch in today, or ever, I'm glad you're with us.

Signed by Clara Jeffery

Clara Jeffery, Editor-in-Chief

We Recommend

Latest

Sign up for our newsletters

Subscribe and we'll send Mother Jones straight to your inbox.

Get our award-winning magazine

Save big on a full year of investigations, ideas, and insights.

Subscribe

Support our journalism

Help Mother Jones' reporters dig deep with a tax-deductible donation.

Donate

Share your feedback: We’re planning to launch a new version of the comments section. Help us test it.