Is Hollywood Finally Going Galt?

<a href="http://commons.wikimedia.org/wiki/File:Charlize_Theron_at_Meteor_2008.jpg">Wikimedia Commons</a>, Penguin Group USA

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In a world…of disappointing literary movie adaptations, one film must make it to the screen with its nuance, political integrity, and 50-page monologues intact: Atlas Shrugged. At least that’s the hope of Ayn Rand fans in Hollywood, who have long sought to bring the Objectivist tome to the silver screen, without much luck. Angelina Jolie was recently rumored to be interested in starring in the tale of top-down class warfare, but the latest reports from Tinseltown say that Charlize Theron is eyeing the project—on the condition that it be made into a cable TV miniseries so its subtleties aren’t diluted. Assuming this gets off the ground in the next three years, this could be exciting news for the Go Galt crowd, the folks who, as Amy Benfer writes in our current issue, are creatively reading (or skimming, or just Wikipedia-ing) Atlas Shrugged for clues on how to rebel against the United States’ recent transformation into a collectivist totalitarian gulag, i.e., the election of Barack Obama. So far, the Galt movement—named after Atlas‘ protagonist, capitalist übermensch John Galt—hasn’t done much more than inspire lots of online fist shaking. But with Theron playing kinky railroad magnate Dagny Taggart, things could really pick up for it. Now who to play her lover and the namesake of the current recessionist movement? For some reason, I really like the sound of the line (use your best movie trailer voice here): “Nicholas Cage IS John Galt.” And this one, too: “This summer, America is going, going…Galt!

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We have a considerable $390,000 gap in our online fundraising budget that we have to close by June 30. There is no wiggle room, we've already cut everything we can, and we urgently need more readers to pitch in—especially from this specific blurb you're reading right now.

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In "News Never Pays," our fearless CEO, Monika Bauerlein, connects the dots on several concerning media trends that, taken together, expose the fallacy behind the tragic state of journalism right now: That the marketplace will take care of providing the free and independent press citizens in a democracy need, and the Next New Thing to invest millions in will fix the problem. Bottom line: Journalism that serves the people needs the support of the people. That's the Next New Thing.

And it's what MoJo and our community of readers have been doing for 47 years now.

But staying afloat is harder than ever.

In "This Is Not a Crisis. It's The New Normal," we explain, as matter-of-factly as we can, what exactly our finances look like, why this moment is particularly urgent, and how we can best communicate that without screaming OMG PLEASE HELP over and over. We also touch on our history and how our nonprofit model makes Mother Jones different than most of the news out there: Letting us go deep, focus on underreported beats, and bring unique perspectives to the day's news.

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