Arts Degrees: Who Needs Them?

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It happens every time: When the going gets tough, arts programs get going.

This time, a budget squeeze in California has prompted severe cuts in the statewide college system, including a bloodbath of arts and humanities programs that has largely escaped media attention. In the past year, UC Davis cut nearly 50 courses in humanities, arts, and cultural studies; UC Irvine put its Latin American program on hold; UC Santa Cruz 86ed its music minor; Cal State Humboldt closed its Natural History Museum; and Cal State Dominguez exorcised its newspaper, and is pondering cutting music, art, and Chicano study courses.

There have been a few cuts outside these fields, but not many. And the problem is largely ideological. Yesterday, the managing editor of the local Manteca Bulletin penned a piece in which he sniffed of closing the deficit:

They could do it in part by whittling down majors such as Dutch Studies, Celtic Studies, Art History, Dance & Performance, Sculpture, Theater, Music-Bassoon, Playwriting, and Visual Arts to name just a few… why should some struggling farm worker in Mendota have to pay sales tax on clothes to keep his kids warm where part of it will go to underwrite 26 percent of the tab of someone majoring in Art History?

Why? Because art history majors go on to be curators, appraisers, and gallery owners, all jobs that boost the local economy (not to mention culture) at a time when that’s desperately needed. So do people who run cultural centers, perform in local theater, play in concert halls, or any number of other jobs that descend from arts and humanities degrees.

If schools get “whittled down” to the technical fields only, all these people will be left without the opportunity to do what they’re good at, and the job field will become even smaller. At a time like this, that’s the last thing we need.

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WE'LL BE BLUNT.

We have a considerable $390,000 gap in our online fundraising budget that we have to close by June 30. There is no wiggle room, we've already cut everything we can, and we urgently need more readers to pitch in—especially from this specific blurb you're reading right now.

We'll also be quite transparent and level-headed with you about this.

In "News Never Pays," our fearless CEO, Monika Bauerlein, connects the dots on several concerning media trends that, taken together, expose the fallacy behind the tragic state of journalism right now: That the marketplace will take care of providing the free and independent press citizens in a democracy need, and the Next New Thing to invest millions in will fix the problem. Bottom line: Journalism that serves the people needs the support of the people. That's the Next New Thing.

And it's what MoJo and our community of readers have been doing for 47 years now.

But staying afloat is harder than ever.

In "This Is Not a Crisis. It's The New Normal," we explain, as matter-of-factly as we can, what exactly our finances look like, why this moment is particularly urgent, and how we can best communicate that without screaming OMG PLEASE HELP over and over. We also touch on our history and how our nonprofit model makes Mother Jones different than most of the news out there: Letting us go deep, focus on underreported beats, and bring unique perspectives to the day's news.

You're here for reporting like that, not fundraising, but one cannot exist without the other, and it's vitally important that we hit our intimidating $390,000 number in online donations by June 30.

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