Glenn Beck, Thespian

Photo used under a Creatives Commons license by Flickr user Max Wolfe

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If you skipped last night’s Glenn Beck holiday special, The Christmas Sweater: A Return to Redemption, you had company. The live event, beamed into 475 movie theaters nationwide, sold 17 tickets apiece in Boston and New York, and 30 in Washington, DC. At the downtown cineplex in San Francisco, a brisk walk from Mother Jones headquarters and the only theater in the city to air the program, the crowd could be counted on just two fingers—three, if you include this reporter.

The program revolves around a pre-taped, one-man stage production of Beck’s semi-autographical novel, The Christmas Sweater (now available in children’s book form), in which a young boy, Eddie (played by Beck), rejects his mom’s knitted gift, only to watch in horror as she dies in a horrific accident that evening. Eddie runs away from home and hits rock bottom—which a teary-eyed Beck illustrates by collapsing to the floor into a fetal postion—before finding finding salvation and discovering the true meaning of Christmas. It’s a real heartwarmer.

Following Eddie’s redemption, the event switched to a live forum profiling figures with stories a lot like Beck’s. As the sympathetic testimonials pour in—from a cancer survivor, a recovering drug addict, and a young man who says Beck’s novel brought him back from suicide’s edge—the lone constant, (other than Beck choking back tears, of course), is a barn-sized book jacket for The Christmas Sweater. For all the emotional rhetoric, A Return to Redemption is really just a big-budget infomercial.

 

Beck laments at one point that 2009 has been a year to forget, which is partially true, but not for him. Between the 9/12 project, his forthcoming plan to overhaul American democracy, and his movie, he’s become conservatives’ most versatile pitchman, a one-man WalMart for political outrage, literary grace, and, should you need it, a shoulder to cry on.

 

Sad you missed out on A Return to Redemption? Fear not. Beck will be back for an encore on December 10. Good seats are still available.

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DECEMBER IS MAKE OR BREAK

A full one-third of our annual fundraising comes in this month alone. That’s risky, because a strong December means our newsroom is on the beat and reporting at full strength—but a weak one means budget cuts and hard choices ahead.

The December 31 deadline is closing in fast. To reach our $400,000 goal, we need readers who’ve never given before to join the ranks of MoJo donors. And we need our steadfast supporters to give again—any amount today.

Managing an independent, nonprofit newsroom is staggeringly hard. There’s no cushion in our budget—no backup revenue, no corporate safety net. We can’t afford to fall short, and we can’t rely on corporations or deep-pocketed interests to fund the fierce, investigative journalism Mother Jones exists to do.

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