Is the National Enquirer Suicidal?

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Traditional print jockeys now have to tussle with a supermarket tabloid for a Pulitzer Prize. This week, the administrators of daily journalism’s biggest exercise in self-congratulation reversed themselves and agreed to consider the National Enquirer in two Pulitzer categories for its reporting of the John Edwards infidelity/paternity imbroglio. The news was hailed by nontraditional journalists at outlets like the Huffington Post and Gawker, who lobbied mercilessly on the Enquirer‘s behalf (and who have no shortage of schadenfreude when it comes to the suffering of print giants like the New York Times and Washington Post).

There’s no question that the gossipy Enquirerwhose current issue leads with a washed-up pop diva’s health problems (“WHITNEY DYING!”) and a celebrity chef’s romantic woes (“PAULA DEEN DIVORCE SHOCKER!”)ran with a story nobody else vetted when it exposed the dalliance between thenSen. Edwards and staffer Rielle Hunter. And the paper deserves some recognition for being, in many ways, a tastemaker and trendsetter in the new media landscape. But the Enquirer‘s allies overlook the fact that its most questionable reporting practice was precisely what got it the “scoop” over other organizationsand what ultimately could lead the tabloid to get squeezed out of its own business.

The biggest strike against the Enquirer is its practice of “checkbook journalism”: It pays sources for their “BOMBSHELL” exclusives. That seems to have been the case with the tabloid’s Edwards affair coverage, too. When CNN’s Wolf Blitzer interviewed Enquirer editor David Perel about the story in 2008, he asked point blank:

Blitzer: Did you pay any sources in connection with this particular story involving John Edwards?

Perel: Wolf, we pay for photographs. We pay for information when it’s accurate. We have no problem doing that. And in this story, you know, whether we did or we didn’t, I’m not going to say. It doesn’t matter. You can assume we did. The thing that counts is the story has proven to be true and there is more to come.

Take Perel’s (dissembling) words at face value and assume there was some payola involved in the Edwards coverage. Then, all of a sudden, the Enquirer‘s “scoop” doesn’t look quite like the mammoth journalistic coup. Not because payola taints a story, but because it means the outlets with the most money and wherewithal will get the next scoop. In other words: If major networks and papers adopt the Edwards reporting model, won’t the Enquirer have just scooped itself out of the scoop business?

Enquiring minds want to know.

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We'll also be quite transparent and level-headed with you about this.

In "News Never Pays," our fearless CEO, Monika Bauerlein, connects the dots on several concerning media trends that, taken together, expose the fallacy behind the tragic state of journalism right now: That the marketplace will take care of providing the free and independent press citizens in a democracy need, and the Next New Thing to invest millions in will fix the problem. Bottom line: Journalism that serves the people needs the support of the people. That's the Next New Thing.

And it's what MoJo and our community of readers have been doing for 47 years now.

But staying afloat is harder than ever.

In "This Is Not a Crisis. It's The New Normal," we explain, as matter-of-factly as we can, what exactly our finances look like, why this moment is particularly urgent, and how we can best communicate that without screaming OMG PLEASE HELP over and over. We also touch on our history and how our nonprofit model makes Mother Jones different than most of the news out there: Letting us go deep, focus on underreported beats, and bring unique perspectives to the day's news.

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