Music Monday: Punks Help Haiti

One of the auction items at <a href="http://limitedpressing.com/auctions/1929">Limited Pressing</a>.

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Believe it or not, doing good works and assisting your community in nothing new in the world of punk rock. Because healthcare doesn’t come with indie-label contracts and temp jobs, there’s bound to be at least one benefit show on the calendar of your local club where the bands have donated their talents to cover the medical bills of a local guitarist or singer. Benefits for disasters like the great tsunami and Katrina are also old hat, and so it isn’t surprising to see independent musicians coming out for Haiti.

But of late, one group of indie concerns has been taking its philanthropy to a larger audience online. Punknews.org, Paper + Plastick, and Limited Pressing have teamed up for an online auction of punk paraphernalia to benefit Doctors Without Borders’ Haiti relief efforts. It has proved so successful—by punk standards, anyway—that they are now on their third round of the auction, and have raised more than $18,000. Not bad in a realm where tickets, CDs, and t-shirts seldom go for more than 10 bucks. 

The auction might also point to an alternative business model in an era of anxious major labels and rampant downloading. Paper + Plastick and Limited Pressing exist purely for the love of actual, physical albums: According to its website, Paper + Plastick “started for the bands that still love visual art to go with the music they put out, and for the artists that use their creative energy to produce a backdrop of art for record covers, tshirts, screen printed posters, and every other facet of a band visually besides the music.”

This affection for visual aesthetics drives a collector mentality that Limited Pressing helps feed. (Even Christie’s has seen the value in punk collectibles, although its 2008 auction was all about profit.) But fans aren’t about to pay top dollar for some run of the mill CD. Only seven of the hundreds of items currently listed are CDs; the rest (as of last Thursday) are something most of the recording industry has deemed anachronistic: vinyl.

While Limited Pressing defines itself as a community site where fans can sell off bits of their collections, it also hosts virtual storefronts for bands and small labels, which seem to appreciate the model. Justin August, Punknews.org’s social media manager, estimates that about 60 percent of the auction items came from the labels and 35 percent from bands—with the rest coming from fans. “It’s kind of fuzzy,” he adds, “since some of the people in bands donated items from their own personal collection. So they’re still fans in a way.”

It seems the only thing holding this model back is scale: While merchandise and buyers have been easy to come by, traffic from a single tweet by Pete Wentz (of Fall Out Boy fame) took down Limited Pressing’s website. The LP folks, who eventually managed to get their site back up, responded with a little punk-marketing savvy: “Mr. Wentz, we love what you do, but we’re small time. Seriously small. Please accept my apology. See you at the $1,000 a month plan!

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WE'LL BE BLUNT.

We have a considerable $390,000 gap in our online fundraising budget that we have to close by June 30. There is no wiggle room, we've already cut everything we can, and we urgently need more readers to pitch in—especially from this specific blurb you're reading right now.

We'll also be quite transparent and level-headed with you about this.

In "News Never Pays," our fearless CEO, Monika Bauerlein, connects the dots on several concerning media trends that, taken together, expose the fallacy behind the tragic state of journalism right now: That the marketplace will take care of providing the free and independent press citizens in a democracy need, and the Next New Thing to invest millions in will fix the problem. Bottom line: Journalism that serves the people needs the support of the people. That's the Next New Thing.

And it's what MoJo and our community of readers have been doing for 47 years now.

But staying afloat is harder than ever.

In "This Is Not a Crisis. It's The New Normal," we explain, as matter-of-factly as we can, what exactly our finances look like, why this moment is particularly urgent, and how we can best communicate that without screaming OMG PLEASE HELP over and over. We also touch on our history and how our nonprofit model makes Mother Jones different than most of the news out there: Letting us go deep, focus on underreported beats, and bring unique perspectives to the day's news.

You're here for reporting like that, not fundraising, but one cannot exist without the other, and it's vitally important that we hit our intimidating $390,000 number in online donations by June 30.

And we hope you might consider pitching in before moving on to whatever it is you're about to do next. It's going to be a nail-biter, and we really need to see donations from this specific ask coming in strong if we're going to get there.

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