Sondre Lerche: An Auditory Antidote

Ruvan Wijesooria courtesy Big Hassle Media

Sondre Lerche
Self-titled
Mona

God knows there are too many damned singer-songwriters about. Or, rather, too many who try to make a go of it beyond the open-mic circuit. So whenever someone truly outstanding comes along, it’s like, Thank You! As it happens, two singer-songwriters very much worth your while are releasing new albums tomorrow.

Exhibit A is the new self-titled CD by Sondre Lerche, a Norwegian-born Brooklynite with an impressive vocal range, whose earnest, intelligent lyrics and mellifluous voice feel like an antidote to our jaded and skeptical culture.

This young gent has been putting out music for some time. This is his sixth album to date, and he features prominently on the soundtrack for the 2007 Steve Carell film, Dan in Real Life. He’s performed on Letterman (see below). He collaborates with members of Animal Collective and Spoon, and the likes of Regina Spektor (who collaborates with a wide variety of people, but still).

Lerche has a keen melodic sense and is careful to avoid clichés—or perhaps he just does it without thinking. Classically trained and schooled in Bossa Nova (among other things) he varies his rhythyms and instrumentation (guitar, strings, piano, percussion, vocal choruses) between songs and within, always keeping things interesting. His sound, alternately upbeat and brooding on this album, is nonetheless suffused with his happy-go-lucky Beatles-y vibe, and psychedelic hints of, say, a band like Sunny Day Real Estate.

The new songs are, as we say in Oakland, hella catchy—like “Private Caller,” whose opening evokes early REM, and the uber-poppy “Go Right Ahead.” Other standouts include “Domino” and “Living Dangerously.” But there are numerous others. This is an album I will listen to over and over.

I’ll leave you now with this 2007 clip of Lerche playing the Letterman show. Don’t forget to check out Exhibit B: England Keep My Bones, by the talented young Brit, Frank Turner.

Click here for more music features from Mother Jones.

 

DOES IT FEEL LIKE POLITICS IS AT A BREAKING POINT?

Headshot of Editor in Chief of Mother Jones, Clara Jeffery

It sure feels that way to me, and here at Mother Jones, we’ve been thinking a lot about what journalism needs to do differently, and how we can have the biggest impact.

We kept coming back to one word: corruption. Democracy and the rule of law being undermined by those with wealth and power for their own gain. So we're launching an ambitious Mother Jones Corruption Project to do deep, time-intensive reporting on systemic corruption, and asking the MoJo community to help crowdfund it.

We aim to hire, build a team, and give them the time and space needed to understand how we got here and how we might get out. We want to dig into the forces and decisions that have allowed massive conflicts of interest, influence peddling, and win-at-all-costs politics to flourish.

It's unlike anything we've done, and we have seed funding to get started, but we're looking to raise $500,000 from readers by July when we'll be making key budgeting decisions—and the more resources we have by then, the deeper we can dig. If our plan sounds good to you, please help kickstart it with a tax-deductible donation today.

Thanks for reading—whether or not you can pitch in today, or ever, I'm glad you're with us.

Signed by Clara Jeffery

Clara Jeffery, Editor-in-Chief

We Recommend

Latest

Sign up for our newsletters

Subscribe and we'll send Mother Jones straight to your inbox.

Get our award-winning magazine

Save big on a full year of investigations, ideas, and insights.

Subscribe

Support our journalism

Help Mother Jones' reporters dig deep with a tax-deductible donation.

Donate