If You Care About Yourself, You Won’t See This Movie

Ugh.Photo courtesy of Columbia Pictures

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That’s My Boy
Columbia Pictures
114 minutes

The new Adam Sandler flick That’s My Boy is one of the most oppressively unfunny films ever produced, reaching levels of jaw-dropping unwatchability that rival 2002’s The Sweetest Thing.

I could detail for you the dumb, gossamer storyline, but what would be the point? That’s My Boy stars Adam Sandler (remember when he was in Punch-Drunk Love?), playing a hybrid of Dickie Roberts and a bad Good Will Hunting parody. Andy Samberg co-stars, presumably trying to win a bet he drunkenly made with friends who thought he couldn’t make a movie worse than Hot Rod. James Caan and Susan Sarandon are also in the movie, for god knows what reasons. What follows is a long slog of vulgarity-to-nowhere. There is not one boob joke, fart joke, hard-on joke, masturbation joke, trailer-trash joke, pube joke, bunghole joke, cunnilingus joke, sex-with-your-mom joke, vomit joke, incest joke, or obesity joke in this that isn’t unpardonably stale.

To add shotgun-to-the-kneecap to injury, Vanilla Ice (Vanilla Ice) plays himself.

If you care about yourself, you will not see this movie ever. It is tailor-made to be consumed by the kind of grown men who will only eat chicken nuggets if they’re shaped like dinosaurs, and there are times when the film honestly feels like physical torture.

Here’s a redband TV spot for the damn thing:

That’s My Boy gets a wide release on Friday, June 15. The film is rated R for crude sexual content throughout, nudity, pervasive language and some drug use. Click here if you hate yourself and want to get local showtimes and tickets.

Click here for more movie and TV features from Mother Jones. To read more of Asawin’s reviews, click here.

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WE'LL BE BLUNT.

We have a considerable $390,000 gap in our online fundraising budget that we have to close by June 30. There is no wiggle room, we've already cut everything we can, and we urgently need more readers to pitch in—especially from this specific blurb you're reading right now.

We'll also be quite transparent and level-headed with you about this.

In "News Never Pays," our fearless CEO, Monika Bauerlein, connects the dots on several concerning media trends that, taken together, expose the fallacy behind the tragic state of journalism right now: That the marketplace will take care of providing the free and independent press citizens in a democracy need, and the Next New Thing to invest millions in will fix the problem. Bottom line: Journalism that serves the people needs the support of the people. That's the Next New Thing.

And it's what MoJo and our community of readers have been doing for 47 years now.

But staying afloat is harder than ever.

In "This Is Not a Crisis. It's The New Normal," we explain, as matter-of-factly as we can, what exactly our finances look like, why this moment is particularly urgent, and how we can best communicate that without screaming OMG PLEASE HELP over and over. We also touch on our history and how our nonprofit model makes Mother Jones different than most of the news out there: Letting us go deep, focus on underreported beats, and bring unique perspectives to the day's news.

You're here for reporting like that, not fundraising, but one cannot exist without the other, and it's vitally important that we hit our intimidating $390,000 number in online donations by June 30.

And we hope you might consider pitching in before moving on to whatever it is you're about to do next. It's going to be a nail-biter, and we really need to see donations from this specific ask coming in strong if we're going to get there.

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