“Snowpiercer”: The Best Post-Apocalyptic Film About Class Warfare You’ll See All Summer

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Snowpiercer, directed by Bong Joon-ho and starring Chris Evans, is an ambitious, critically acclaimed new thriller. “While Transformers mucks up cineplexes with its ugly bombast, here, as an alternative, is something truly special, a unique and bracing science-fiction film that stirs both heart and mind,” raves Vanity Fair.

Like so many action films that came before it (both the smart and the monumentally silly), Snowpiercer has political relevance pumping through its veins. In the future, a corporate attempt to reverse the devastating effects of global warming goes horrifically wrong: The experiment ends up murdering most of the planet. Survivors live aboard the Snowpiercer, a train—equipped with a perpetual-motion engine—where the rich and pampered live at the front and the poor and unwashed at the rear. Bloody class warfare ensues.

You get the message.

Here’s Bong discussing the corporate critique and climate-change angle of his film, in an interview with CraveOnline:

In Snowpiercer, it’s more about how big business tries to both use and control nature. And how it backfires on them. Nature takes its revenge and sends them back to the ice age. This is an aspect that is different from the graphic novel [source material] (by Jacques Lob, Benjamin Legrand and Jean-Marc Rochette). I wanted to make a story change because I felt that climate change is more current of an issue and will continue to be, because it’s not in the interest of big business to change, but to control.

Basically, it’s an action movie in which corporate power takes extreme measures to attack the climate, instead of overhauling the way they do business for the sake of the world. They screw over human civilization, and the rest of the film goes the class-division route. “The poor are in the back and the rich are in the front,” Bong told CraveOnline. “So this created an opportunity to talk about the political ideas involved and really examine human nature and why those systems exist. What would we actually discover if they were taken on? We don’t know because it’s so large and affects billions of people. Having a few survivors is a sci-fi element [that] makes it easier to explore these ideas.”

On that note, here’s a trailer for Snowpiercer:

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We didn't know what to expect when we told you we needed to raise $400,000 before our fiscal year closed on June 30, and we're thrilled to report that our incredible community of readers contributed some $415,000 to help us keep charging as hard as we can during this crazy year.

You just sent an incredible message: that quality journalism doesn't have to answer to advertisers, billionaires, or hedge funds; that newsrooms can eke out an existence thanks primarily to the generosity of its readers. That's so powerful. Especially during what's been called a "media extinction event" when those looking to make a profit from the news pull back, the Mother Jones community steps in.

The months and years ahead won't be easy. Far from it. But there's no one we'd rather face the big challenges with than you, our committed and passionate readers, and our team of fearless reporters who show up every day.

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