The Vaselines are Back

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The Vaselines
V for Vaselines
Rosary Music

V for Vaselines

Talk about poor timing. Scottish duo the Vaselines split up in 1989, the week their debut album was released, so they weren’t around to take advantage when Kurt Cobain became a fan and recorded three of their songs with Nirvana. But things have been going more smoothly since 2008, when Eugene Kelly and Frances McKee got back together. On the rousing V for Vaselines, their second post-reunion outing, the rowdy twosome offers a fizzy update of classic male-female sparring matches in the grand tradition of Johnny Cash and June Carter, or John Doe and Exene Cervenka of X. Whether trading scruffy lead vocals or combining for bracing harmonies, Kelly and McKee make exuberant punk-pop that captures interpersonal strife with entertaining zest. Memorable snotty lyric of the week, from “Number One Crush”: “Being with you/Kills my IQ.”

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We have a considerable $390,000 gap in our online fundraising budget that we have to close by June 30. There is no wiggle room, we've already cut everything we can, and we urgently need more readers to pitch in—especially from this specific blurb you're reading right now.

We'll also be quite transparent and level-headed with you about this.

In "News Never Pays," our fearless CEO, Monika Bauerlein, connects the dots on several concerning media trends that, taken together, expose the fallacy behind the tragic state of journalism right now: That the marketplace will take care of providing the free and independent press citizens in a democracy need, and the Next New Thing to invest millions in will fix the problem. Bottom line: Journalism that serves the people needs the support of the people. That's the Next New Thing.

And it's what MoJo and our community of readers have been doing for 47 years now.

But staying afloat is harder than ever.

In "This Is Not a Crisis. It's The New Normal," we explain, as matter-of-factly as we can, what exactly our finances look like, why this moment is particularly urgent, and how we can best communicate that without screaming OMG PLEASE HELP over and over. We also touch on our history and how our nonprofit model makes Mother Jones different than most of the news out there: Letting us go deep, focus on underreported beats, and bring unique perspectives to the day's news.

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