Listen to the Real Stephen Colbert Explain How He Maintained His Flawless Character for 9 Years


The curtain comes down on The Colbert Report Thursday night after a spectacular nine-year run on Comedy Central. But a big question remains: How on Earth did Colbert stay in character for so long?

“Stephen Colbert,” the character, is indisputably a brilliant creation. I watched every week because “Stephen Colbert” attacked right-wing media by embodying its most outlandish traits; the more sincere he was, the more searing and audacious the satire. He was sophisticated and simple at the same time. He gave viewers an amazing gift: temporary relief from the political divide by skewering idiocy at its source. (My colleague Inae Oh has compiled some of his best segments today).

It was a wildly impressive formula, in part for the stamina it required from Stephen Colbert, the comic. As fellow performer Jimmy Fallon told the New York Times this week: “I was one of those who said, ‘He’ll do it for six months and then he’ll move on.’…It’s gets old. But not this. He’s a genius.”

That’s what makes the above podcast, Working, With David Plotz, so fascinating: It’s Colbert, in his own words, out of character, describing his daily routine of getting into character; a real craftsman. It also reveals the vulnerable human performer within; a real artist.

Broadcaster and media critic Brooke Gladstone said back in April that Colbert “seems to be a modest man, too modest perhaps, to see that by lightly shedding the cap of his creation, he’s depriving us all of a national treasure.”

Long live Colbert.

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WE'LL BE BLUNT.

We have a considerable $390,000 gap in our online fundraising budget that we have to close by June 30. There is no wiggle room, we've already cut everything we can, and we urgently need more readers to pitch in—especially from this specific blurb you're reading right now.

We'll also be quite transparent and level-headed with you about this.

In "News Never Pays," our fearless CEO, Monika Bauerlein, connects the dots on several concerning media trends that, taken together, expose the fallacy behind the tragic state of journalism right now: That the marketplace will take care of providing the free and independent press citizens in a democracy need, and the Next New Thing to invest millions in will fix the problem. Bottom line: Journalism that serves the people needs the support of the people. That's the Next New Thing.

And it's what MoJo and our community of readers have been doing for 47 years now.

But staying afloat is harder than ever.

In "This Is Not a Crisis. It's The New Normal," we explain, as matter-of-factly as we can, what exactly our finances look like, why this moment is particularly urgent, and how we can best communicate that without screaming OMG PLEASE HELP over and over. We also touch on our history and how our nonprofit model makes Mother Jones different than most of the news out there: Letting us go deep, focus on underreported beats, and bring unique perspectives to the day's news.

You're here for reporting like that, not fundraising, but one cannot exist without the other, and it's vitally important that we hit our intimidating $390,000 number in online donations by June 30.

And we hope you might consider pitching in before moving on to whatever it is you're about to do next. It's going to be a nail-biter, and we really need to see donations from this specific ask coming in strong if we're going to get there.

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