Remembering Powerhouse Photographer Mary Ellen Mark

Photographer Mary Ellen Mark in 2013.Todd Williamson/Invision for Leica/AP

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I found out about the death of photographer Mary Ellen Mark the way we learn about the passing of anyone these days—Facebook. My feed is currently flooded with condolences, remembrances, and laminations for Mark, who died yesterday at age 75.

Mark was a powerhouse photographer, a true legend. Her early ’80s project on homeless youth, Streetwise, remains a canon of documentary photography. In the late ’80s and ’90s, Mark’s work graced the pages of Mother Jones numerous times. Art Director Kerry Tremain made great use of her, both picking up archival images and making assignments such as portraits of journalist I.F. Stone and hip-hop mogul Russell Simmons.

Mark’s work was also featured early in the Mother Jones Fine Prints and Portfolios program, which led to the creation of the Mother Jones Documentary Photo Fund. Her print was part of the New York Portfolio I, alongside other heavy hitters like Nan Goldin, Duane Michaels, Ralph Gibson, and Inge Morath. (Sorry, we no longer have any of the print portfolios.)

No doubt there will be many eulogies and recollections of Mark and the impact she made on photography, particularly on social documentary photography, the kind of photography that’s been our bread and butter here.

Though it’s a just a shallow slice of her deep legacy, here’s a collection of some of Mark’s work for Mother Jones.

I.F. Stone, September 1989

 

Russell Simmons, November 2003

 

Mother Jones 15th anniversary issue, 1991
 

 

Story on Ms. magazine, November 1990

 

Story on Ms. magazine, November 1990

 

Jessica Mitford and Maya Angelou, November 1992

 

“Hollywood’s Washington” cover, January 1991

 

And here’s a short piece that Leica produced on Mark:

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WE'LL BE BLUNT.

We have a considerable $390,000 gap in our online fundraising budget that we have to close by June 30. There is no wiggle room, we've already cut everything we can, and we urgently need more readers to pitch in—especially from this specific blurb you're reading right now.

We'll also be quite transparent and level-headed with you about this.

In "News Never Pays," our fearless CEO, Monika Bauerlein, connects the dots on several concerning media trends that, taken together, expose the fallacy behind the tragic state of journalism right now: That the marketplace will take care of providing the free and independent press citizens in a democracy need, and the Next New Thing to invest millions in will fix the problem. Bottom line: Journalism that serves the people needs the support of the people. That's the Next New Thing.

And it's what MoJo and our community of readers have been doing for 47 years now.

But staying afloat is harder than ever.

In "This Is Not a Crisis. It's The New Normal," we explain, as matter-of-factly as we can, what exactly our finances look like, why this moment is particularly urgent, and how we can best communicate that without screaming OMG PLEASE HELP over and over. We also touch on our history and how our nonprofit model makes Mother Jones different than most of the news out there: Letting us go deep, focus on underreported beats, and bring unique perspectives to the day's news.

You're here for reporting like that, not fundraising, but one cannot exist without the other, and it's vitally important that we hit our intimidating $390,000 number in online donations by June 30.

And we hope you might consider pitching in before moving on to whatever it is you're about to do next. It's going to be a nail-biter, and we really need to see donations from this specific ask coming in strong if we're going to get there.

payment methods

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