Remembering Powerhouse Photographer Mary Ellen Mark

Photographer Mary Ellen Mark in 2013.Todd Williamson/Invision for Leica/AP

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I found out about the death of photographer Mary Ellen Mark the way we learn about the passing of anyone these days—Facebook. My feed is currently flooded with condolences, remembrances, and laminations for Mark, who died yesterday at age 75.

Mark was a powerhouse photographer, a true legend. Her early ’80s project on homeless youth, Streetwise, remains a canon of documentary photography. In the late ’80s and ’90s, Mark’s work graced the pages of Mother Jones numerous times. Art Director Kerry Tremain made great use of her, both picking up archival images and making assignments such as portraits of journalist I.F. Stone and hip-hop mogul Russell Simmons.

Mark’s work was also featured early in the Mother Jones Fine Prints and Portfolios program, which led to the creation of the Mother Jones Documentary Photo Fund. Her print was part of the New York Portfolio I, alongside other heavy hitters like Nan Goldin, Duane Michaels, Ralph Gibson, and Inge Morath. (Sorry, we no longer have any of the print portfolios.)

No doubt there will be many eulogies and recollections of Mark and the impact she made on photography, particularly on social documentary photography, the kind of photography that’s been our bread and butter here.

Though it’s a just a shallow slice of her deep legacy, here’s a collection of some of Mark’s work for Mother Jones.

I.F. Stone, September 1989

 

Russell Simmons, November 2003

 

Mother Jones 15th anniversary issue, 1991
 

 

Story on Ms. magazine, November 1990

 

Story on Ms. magazine, November 1990

 

Jessica Mitford and Maya Angelou, November 1992

 

“Hollywood’s Washington” cover, January 1991

 

And here’s a short piece that Leica produced on Mark:

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THE BIG PICTURE

You expect the big picture, and it's our job at Mother Jones to give it to you. And right now, so many of the troubles we face are the making not of a virus, but of the quest for profit, political or economic (and not just from the man in the White House who could have offered leadership and comfort but instead gave us bleach).

In "News Is Just Like Waste Management," we unpack what the coronavirus crisis has meant for journalism, including Mother Jones’, and how we can rise to the challenge. If you're able to, this is a critical moment to support our nonprofit journalism with a donation: We've scoured our budget and made the cuts we can without impairing our mission, and we hope to raise $400,000 from our community of online readers to help keep our big reporting projects going because this extraordinary pandemic-plus-election year is no time to pull back.

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