The Insane Story Behind Trump’s Deleted Nazi Tweet

We spoke to the British photographer who took the photo seen in Trump’s campaign tweet.

Yikes.Georgethefourth/iStock/Twitter

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Earlier today, Donald Trump tweeted out a campaign poster featuring what appeared to be men in Nazi uniforms, superimposed over the American flag. The tweet was swiftly deleted, but not before the internet went to work tracking down the original image, sourced to the stock photography website iStock. 

Mother Jones can now reveal that the image in question was taken at a World War II reenactment near Kent, England, some time within the last five years, according to its photographer, George Cairns. We reached Cairns by Skype at his home in St Albans, a town just north of London, where he was hanging out playing video games when his Twitter feed started to blow up in response to the Trump story.

George Cairns, photographer. Supplied.

Cairns is a British freelance stock photographer and photography instructor who says he frequents war reenactments as good locations to pick up realistic-looking stock images—not just of Nazis, but also of American GIs and other soldiers. Cairns said he didn’t know much about Donald Trump beyond the controversy over a golf course the billionaire and GOP presidential contender bought in Scotland last year.

So what does Cairns make of Trump using his image to endorse his candidacy?

“Well luckily, it’s not endorsed him in a sense… So that’s a good thing,” he said. “I’m not a Trump supporter. I can sleep OK tonight.”

In an almost impossibly bizarre coincidence, this isn’t the first time the Cairns family has been caught up in a photo kerfuffle involving Nazis and American politicians. George’s brother John is also a stock photographer, and took the image of Nazi reenactors that was accidentally used in a flier for the campaign of North Carolina state legislator Tim Spear in 2010.

“I have photos of American soldiers as well,” Cairns said. “But for some reason, politicians seem to be downloading Nazis.”

This isn’t the first time the Cairns family has been caught up in a photo kerfuffle involving Nazis and American politicians.

The photo isn’t a massive moneymaker for the photographer. “I’ve sold that image twice this year,” Cairns said. Yesterday, Cairns made $8.64 on a sale. Today, $1.71. “I can buy a coffee!” he joked.

In the world of stock photography, you have basically no control over who uses your photos, Cairns said. The best you can do is pick keywords for the images you upload that let people know exactly what they’re buying. In this case, Cairns said, Trump’s people should have been able to tell what they were looking at.

“I tried to keyword it carefully so people would be aware that it’s WWII fascists.”

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We have a considerable $390,000 gap in our online fundraising budget that we have to close by June 30. There is no wiggle room, we've already cut everything we can, and we urgently need more readers to pitch in—especially from this specific blurb you're reading right now.

We'll also be quite transparent and level-headed with you about this.

In "News Never Pays," our fearless CEO, Monika Bauerlein, connects the dots on several concerning media trends that, taken together, expose the fallacy behind the tragic state of journalism right now: That the marketplace will take care of providing the free and independent press citizens in a democracy need, and the Next New Thing to invest millions in will fix the problem. Bottom line: Journalism that serves the people needs the support of the people. That's the Next New Thing.

And it's what MoJo and our community of readers have been doing for 47 years now.

But staying afloat is harder than ever.

In "This Is Not a Crisis. It's The New Normal," we explain, as matter-of-factly as we can, what exactly our finances look like, why this moment is particularly urgent, and how we can best communicate that without screaming OMG PLEASE HELP over and over. We also touch on our history and how our nonprofit model makes Mother Jones different than most of the news out there: Letting us go deep, focus on underreported beats, and bring unique perspectives to the day's news.

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