“Harry & Meghan” Is Just Not That Interesting

The new docuseries leaves viewers to wonder: What is there left to say and why should anyone care?

Prince Harry and Meghan Markle.Joe Giddens/AP

Fight disinformation: Sign up for the free Mother Jones Daily newsletter and follow the news that matters.

The third episode of Netflix’s new six-part documentary about Prince Harry and Meghan Markle, the Duchess of Sussex, opens with a November 2017 formal interview the then royal couple gave BBC News about their engagement. As they begin to describe the proposal, it quickly cuts to an equally well-produced but more recent sit-down interview with H and M, as they refer to each other, reflecting on the BBC segment, which Meghan promptly labels as an “orchestrated reality show.” The duo then commiserates about the fact that they haven’t been allowed to tell their story—“until now,” as Meghan puts it.

It has become more than clear at this point that Harry and Meghan really want to tell their side of the story. They have done so before in a far more revealing conversation with Oprah Winfrey, where they disclosed that an unnamed member of the Royal Family had speculated about the color of her unborn first child’s skin. Harry, who has partnered with Winfrey on a documentary series about mental health, will also be sharing his truth in an upcoming memoir titled Spare. But the first half of their latest coming clean venture leaves viewers to wonder: What else is there left to say and why should anyone care? In other words, is there even a story here anymore?

The trailers for the docuseries—some of which reportedly used misleading images for added drama—promise an enticing narrative of a modern fairy tale-turned-nightmare filled with intrigue that would presumably get to “what on earth happened” and how “a dirty game” played by the monarchy and the British press ultimately drove the loving couple away to the hills of Southern California. “No one knows the full truth,” Harry says in one preview. “We know the full truth.” In this case, the truth comes in the form of almost exclusively flattering accounts from close friends and associates, some cute moments from their courtship mixed with video diaries, all sprinkled with historians and expert opinion on the entirely not surprising, albeit still disturbing, methods of the tabloid industry and the racist legacy of the British empire to provide gravitas.

The result so far comes across as an exercise in vanity and controlled exposure for the purpose of moneymaking, which is exactly what it is. The documentary, a collaboration between Harry and Meghan and Oscar-nominated filmmaker Liz Garbus, is part of a multiyear production deal with Netflix estimated at more than $100 million. And despite the creators’ best efforts to make something “very personal and raw and powerful” and the fact that Harry and Meghan no doubt deserve some degree of sympathy on a basic human level, the documentary fails to portray them as either relatable (which would have admittedly been difficult to do) or all that interesting. Perhaps Martin Short summarized it best during his and Steve Martin’s Saturday Night Live monologue last night: “We are like Harry and Meghan, no one is rooting for us but you’ll tune in to watch anyway.” 

WE'LL BE BLUNT.

We have a considerable $390,000 gap in our online fundraising budget that we have to close by June 30. There is no wiggle room, we've already cut everything we can, and we urgently need more readers to pitch in—especially from this specific blurb you're reading right now.

We'll also be quite transparent and level-headed with you about this.

In "News Never Pays," our fearless CEO, Monika Bauerlein, connects the dots on several concerning media trends that, taken together, expose the fallacy behind the tragic state of journalism right now: That the marketplace will take care of providing the free and independent press citizens in a democracy need, and the Next New Thing to invest millions in will fix the problem. Bottom line: Journalism that serves the people needs the support of the people. That's the Next New Thing.

And it's what MoJo and our community of readers have been doing for 47 years now.

But staying afloat is harder than ever.

In "This Is Not a Crisis. It's The New Normal," we explain, as matter-of-factly as we can, what exactly our finances look like, why this moment is particularly urgent, and how we can best communicate that without screaming OMG PLEASE HELP over and over. We also touch on our history and how our nonprofit model makes Mother Jones different than most of the news out there: Letting us go deep, focus on underreported beats, and bring unique perspectives to the day's news.

You're here for reporting like that, not fundraising, but one cannot exist without the other, and it's vitally important that we hit our intimidating $390,000 number in online donations by June 30.

And we hope you might consider pitching in before moving on to whatever it is you're about to do next. It's going to be a nail-biter, and we really need to see donations from this specific ask coming in strong if we're going to get there.

payment methods

WE'LL BE BLUNT.

We have a considerable $390,000 gap in our online fundraising budget that we have to close by June 30. There is no wiggle room, we've already cut everything we can, and we urgently need more readers to pitch in—especially from this specific blurb you're reading right now.

We'll also be quite transparent and level-headed with you about this.

In "News Never Pays," our fearless CEO, Monika Bauerlein, connects the dots on several concerning media trends that, taken together, expose the fallacy behind the tragic state of journalism right now: That the marketplace will take care of providing the free and independent press citizens in a democracy need, and the Next New Thing to invest millions in will fix the problem. Bottom line: Journalism that serves the people needs the support of the people. That's the Next New Thing.

And it's what MoJo and our community of readers have been doing for 47 years now.

But staying afloat is harder than ever.

In "This Is Not a Crisis. It's The New Normal," we explain, as matter-of-factly as we can, what exactly our finances look like, why this moment is particularly urgent, and how we can best communicate that without screaming OMG PLEASE HELP over and over. We also touch on our history and how our nonprofit model makes Mother Jones different than most of the news out there: Letting us go deep, focus on underreported beats, and bring unique perspectives to the day's news.

You're here for reporting like that, not fundraising, but one cannot exist without the other, and it's vitally important that we hit our intimidating $390,000 number in online donations by June 30.

And we hope you might consider pitching in before moving on to whatever it is you're about to do next. It's going to be a nail-biter, and we really need to see donations from this specific ask coming in strong if we're going to get there.

payment methods

We Recommend

Latest

Sign up for our free newsletter

Subscribe to the Mother Jones Daily to have our top stories delivered directly to your inbox.

Get our award-winning magazine

Save big on a full year of investigations, ideas, and insights.

Subscribe

Support our journalism

Help Mother Jones' reporters dig deep with a tax-deductible donation.

Donate