Fancy Galleries, Fake Art

How two well-respected New York art galleries sold more than $80 million in fake art—and why almost no one ever was punished.

An illustration of a wall of gold-framed paintings in abstract bursts of orange and blue. However, inside of one frame, the eyes of a human figure behind the wall peers out to the left, as if on lookout. From another frame, that person’s left hand reaches out, holding an unfinished painting by its frame. From a third frame, that person’s hand uses a brush to paint on the canvas.

Illustration by Brian Britigan for Reveal

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In the mid-’90s, two high-end New York art galleries began selling one fake painting after another—works in the style of Jackson Pollock, Andy Warhol, Mark Rothko, and others. It was the largest art fraud in modern US history, totaling more than $80 million. Our first story looks at how it happened and why almost no one ever was punished by authorities. 

Our second story revisits an investigation into a painting looted by the Nazis during World War II. More than half a century later, a journalist helped track it down through the Panama Papers. 

This is an update of an episode that originally aired in January 2020.

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We’ll say it loud and clear: No one gets to tell Mother Jones what to publish or not publish, because no one owns our fiercely independent newsroom. But that also means we need to directly raise the resources it takes to keep our journalism alive. There’s only one way for that to happen, and it’s readers like you stepping up. Please help with a donation today if you can—even a few bucks will make a real difference. A monthly gift would be incredible.

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