Fancy Galleries, Fake Art

How two well-respected New York art galleries sold more than $80 million in fake art—and why almost no one ever was punished.

An illustration of a wall of gold-framed paintings in abstract bursts of orange and blue. However, inside of one frame, the eyes of a human figure behind the wall peers out to the left, as if on lookout. From another frame, that person’s left hand reaches out, holding an unfinished painting by its frame. From a third frame, that person’s hand uses a brush to paint on the canvas.

Illustration by Brian Britigan for Reveal

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In the mid-’90s, two high-end New York art galleries began selling one fake painting after another—works in the style of Jackson Pollock, Andy Warhol, Mark Rothko, and others. It was the largest art fraud in modern US history, totaling more than $80 million. Our first story looks at how it happened and why almost no one ever was punished by authorities. 

Our second story revisits an investigation into a painting looted by the Nazis during World War II. More than half a century later, a journalist helped track it down through the Panama Papers. 

This is an update of an episode that originally aired in January 2020.

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Keep us relentless, independent, and free to read.

For 50 years, Mother Jones has offered honest, investigative reporting you can rely on:

    • Relentless in the pursuit of truth, unafraid to hold the powerful to account

    • Independent from influence or agenda from oligarchs and corporations

    • Freely accessible to every reader, never behind a paywall

But we can’t do any of this without you. Reader support powers our newsroom to stay nimble and fearless, ready for whatever story comes next. If you can, make a donation today.

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