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Little, if anything, is laugh-worthy in the news right now, but the catharsis, joy, and recharge of laughter are available if you do some digging.

The year is 1964. The setting: a festival in Antibes, France. The band is 21-year-old George Benson on guitar, Brother Jack McDuff on organ, Red Holloway on saxophone, and Joe Dukes on drums. The music is scorching. The laugh isn’t yours—it’s Holloway’s.

Minutes in, he replicates a bursting laugh through his horn, a familiar technique in improvisational swing of the era but rarely accomplished with such expressive vitality on video. The laugh is teed up here, and Benson gets in on it, circling his arm behind Holloway during the laugh, and fashioning another sound on guitar that you’re bound to recognize. You can see, hear, feel, or imagine how much tension and release are coded in these moments, designed for a crowd but deployed for themselves.

Here is Benson’s recognizable riff, right after McDuff’s organ. And here’s Holloway’s laugh. Are they playing the licks for the crowd or themselves? Yes.

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THE TRUTH...

is the first thing despots go after. An unwavering commitment to it is probably what draws you to Mother Jones' journalism. And as we're seeing in the US and the world around, authoritarians seek to poison the discourse and the way we relate to each other because they can't stand people coming together around a shared sense of the truth—it's a huge threat to them.

Which is also a pretty great way to describe Mother Jones' mission: People coming together around the truth to hold power accountable.

And right now, we need to raise about $400,000 from our online readers over the next two months to hit our annual goal and make good on that mission. Read more about the information war we find ourselves in and how people-powered, independent reporting can and must rise to the challenge—and please support our team's truth-telling journalism with a donation if you can right now.

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