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Forget the idea that Black cinema primarily depicts a singular set of storylines and themes centered on shared trauma, says screenwriter Maya Cade, who spent a year cataloging more than 250 currently streaming Black films from between 1915 and 1979. Her effort to make that rich history easily accessible culminated in the launch of the Black Film Archive last week. From silent films to horror flicks to blockbuster comedies and romance, Black cinema spans ever-expanding genres and generations, now archived on her site.

In her introductory note, Cade writes that the films in the archive “have something significant to say about the Black experience; speak to Black audiences; and/or have a Black star, writer, producer, or director.” The intentionally broad criteria is an attempt to expand the ways Black films are framed. “I’ve been thinking a lot about the fact that the act of making Black film history accessible is the act of transforming collective memory,” Cade told me. “To intentionally preserve is to remember, and to remember is to reimagine what the future can hold. Here, the films can be many things, and among those things are being remembered, treasured, and seen.”

Beyond archiving, Cade is also one of the vanishingly few people to use Twitter to spread joy, bringing snippets of cultural history—and countless gems from cinema as a whole—to her followers’ feeds every day. She’ll continue updating the archive monthly and maintaining a supplemental newsletter. Explore the rich range of Black film: If you find yourself with an hour to spare, pick a movie and start streaming.

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WE'LL BE BLUNT.

We have a considerable $390,000 gap in our online fundraising budget that we have to close by June 30. There is no wiggle room, we've already cut everything we can, and we urgently need more readers to pitch in—especially from this specific blurb you're reading right now.

We'll also be quite transparent and level-headed with you about this.

In "News Never Pays," our fearless CEO, Monika Bauerlein, connects the dots on several concerning media trends that, taken together, expose the fallacy behind the tragic state of journalism right now: That the marketplace will take care of providing the free and independent press citizens in a democracy need, and the Next New Thing to invest millions in will fix the problem. Bottom line: Journalism that serves the people needs the support of the people. That's the Next New Thing.

And it's what MoJo and our community of readers have been doing for 47 years now.

But staying afloat is harder than ever.

In "This Is Not a Crisis. It's The New Normal," we explain, as matter-of-factly as we can, what exactly our finances look like, why this moment is particularly urgent, and how we can best communicate that without screaming OMG PLEASE HELP over and over. We also touch on our history and how our nonprofit model makes Mother Jones different than most of the news out there: Letting us go deep, focus on underreported beats, and bring unique perspectives to the day's news.

You're here for reporting like that, not fundraising, but one cannot exist without the other, and it's vitally important that we hit our intimidating $390,000 number in online donations by June 30.

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