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This week, psychedelic space-rock reunions and retro Brazilian romps, plus a soul singer does her best King of Pop impression and a troubled pop princess gets a mashup makeover. Look at all that alliteration, it's like Top Ten tonguetwisters. What?
10. Mary J Blige "Just Fine" (from Growing Pains out 12/11 on Geffen)
Justin Timberlake's whole career is predicated on a post-Michael Jackson equation, i.e.: people want soulful dance-pop, and they're tired of waiting for Jacko to provide it, so they'll take an imitation. Well, now Blige is stepping up to the MJ plate, aiming right for Off the Wall-era disco-lite. She vamps and struts over a backing track that's uptempo yet delicate, with an acoustic guitar and keyboard filigrees that are oddly reminiscent of Steely Dan's "Peg." Did I mention it's good?
9. Blue States "Allies" (from First Steps Into
on Memphis Industries)
The UK producer (otherwise known as Andy Dragazis) is known for his Vangelis-style electronic swirls, and this track is appropriately dreamy. The video, on the other hand, is a somewhat disturbing look at how the random little details in our daily lives could bring about drastically different conclusions. Don't drop your keys!!
8. Reminiscing about seeing Daft Punk in concert
by watching really awesome videos like this one below or a full-length (if pretty shaky) video of their entire set at this weekend's Vegoose festival. Human! Robot! Anyway, if you missed them, sorry.
7. Blonde Redhead Live at the Warfield, San Francisco, 10/24/07
I'm not sure how Blonde Redhead do it. In order to replicate the full, multi-instrumental sound of their albums, the three-piece must be using some sort of tape in concert. Sounds of pianos and backing vocals show up without physical manifestations thereof, and oddly, it adds to the general otherworldliness of their live experience. The band's newer material is almost "shoegaze"-level fuzzy, but their edgy, unusual songwriting adds a strangely retro feel, as though you're watching an old Italian movie.
6. Black Dice "Kokomo" (from Load Blown on Paw Tracks)
It's nice to see this freaky Brooklyn combo have calmed down enough that you can actually make out individual notes in their songs, but this isn't going to the top of any hit parades anytime soon. Just sit back and remember your tripped-out college days, when a throbbing bassline and random, surreal images of Froot Loops commercials and freaky patterns would have totally made your Monday.