3 New Summer Songs Picked By Critic Jon Young


1. “Is What It Is”

From She Keeps Bees’ Eight Houses

FUTURE GODS

Liner notes: Smokey and languid, Jessica Larrabee croons defiantly, “Be not completely consumed/Do not surrender,” on this hazy ballad, with kindred spirit Sharon Van Etten singing backup.

Behind the music: Larrabee fronted the Philadelphia band the English System before teaming with drummer Andy LaPlant to form the Brooklyn-based duo.

Check it out if you like: Moody chanteuses (Cat Power, Angel Olsen, PJ Harvey).
 

2. “Pressure”

From My Brightest Diamond’s This Is My Hand

ASTHMATIC KITTY

Liner notes: The fourth MBD album gets off to a rousing start with this joyful brew of marching-band rhythms, xylophone, brass, and Shara Worden’s big, operatic voice.

Behind the music: An alumna of Sufjan Stevens’ band, Worden’s résumé includes collaborations with David Byrne, Matthew Barney, the Blind Boys of Alabama, and the Decemberists.

Check it out if you like: Brainy art-poppers, meaning St. Vincent, tUnE-yArDs, or Joanna Newsom.
 

3. “To Turn You On”

From Robyn Hitchcock’s The Man Upstairs

YEP ROC

Liner notes: Hitchcock gives Bryan Ferry’s morose love song a charming, irony-free makeover, setting his surprisingly tender vocal to a delicate chamber-folk arrangement.

Behind the music: The former Soft Boys leader teamed with producer Joe Boyd (Fairport Convention, Anna and Kate McGarrigle) for this vibrant mix of originals and covers (Doors, Psychedelic Furs).

Check it out if you like: Vital vets like Richard Thompson and Marshall Crenshaw.

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A full one-third of our annual fundraising comes in this month alone. That’s risky, because a strong December means our newsroom is on the beat and reporting at full strength—but a weak one means budget cuts and hard choices ahead.

With only days left until December 31, we've raised about half of our $400,000 goal—but we need a huge surge in reader support to close the remaining gap. Whether you've given before or this is your first time, your contribution right now matters.

Managing an independent, nonprofit newsroom is staggeringly hard. There’s no cushion in our budget—no backup revenue, no corporate safety net. We can’t afford to fall short, and we can’t rely on corporations or deep-pocketed interests to fund the fierce, investigative journalism Mother Jones exists to do. That’s why we need you right now. Please chip in to help close the gap.

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