Angelic Jolie on Adoption – Always Low Prices!

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Kate Kretz, a heretofore little-known North Carolina artist has a rendition of Angelina Jolie that’s causing quite a stir. The acrylic on canvas work entitled Blessed Art Thou, is on display in Miami this week and seems to be the biggest deal in celebrity art since Daniel Edwards‘ rendition of Pro-Life Britney.

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Jolie, who has now adopted two children, one from Cambodia, the other Ethiopia, has been a high profile champion of adoption from third world nations. Apparently she sees herself as celebrity watchdog when it comes to the issue, calling out none other than Madonna, for her legally murky adoption of a baby in Malawi: “Madonna knew the situation in Malawi, where he was born. It’s a country where there is no real legal framework for adoption. Personally, I prefer to stay on the right side of the law. I would never take a child away from a place where adoption is illegal.” Didn’t Spears mess with Madonna too? Not advised.

No word from Anderson Cooper on whether Jolie will shell out the $50,000 (and then donate it) for Kretz’ painting.

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THE FACTS SPEAK FOR THEMSELVES.

At least we hope they will, because that’s our approach to raising the $350,000 in online donations we need right now—during our high-stakes December fundraising push.

It’s the most important month of the year for our fundraising, with upward of 15 percent of our annual online total coming in during the final week—and there’s a lot to say about why Mother Jones’ journalism, and thus hitting that big number, matters tremendously right now.

But you told us fundraising is annoying—with the gimmicks, overwrought tone, manipulative language, and sheer volume of urgent URGENT URGENT!!! content we’re all bombarded with. It sure can be.

So we’re going to try making this as un-annoying as possible. In “Let the Facts Speak for Themselves” we give it our best shot, answering three questions that most any fundraising should try to speak to: Why us, why now, why does it matter?

The upshot? Mother Jones does journalism you don’t find elsewhere: in-depth, time-intensive, ahead-of-the-curve reporting on underreported beats. We operate on razor-thin margins in an unfathomably hard news business, and can’t afford to come up short on these online goals. And given everything, reporting like ours is vital right now.

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