“Captivity” Campaign is Nobody’s Fault

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mojo-photo-captivity.jpgLos Angeles area residents were not amused this week after billboards went up around the city featuring a young woman pictured in various unsavory scenarios including “Abduction,” “Torture” and “Termination.” The icky ads were part of a campaign for an upcoming horror flick called “Captivity,” but, garsh, turns out it was all a horrible mistake! The production company, After Dark Films, said that the “wrong files” were sent to the printer, who then apparently went ahead and just made a bunch of billboards without asking anybody, and besides, we were all in Las Vegas when it happened! After Dark CEO Courtney Solomon went so far as to issue a statement saying that he, personally, “wasn’t going to go with this campaign,” since it was “OTP,” which is Hollywood-speak for “over the top,” I can’t believe you didn’t already know that.

Anyone who’s ever worked at even the lowliest ad agency, production house, or print shop knows there is no possible way anything ever gets done without about 10,000 proofs, endless back-and-forths, and everyone from the board to the receptionist signing off. Whether they knew the campaign would immediately be taken down, or were just completely clueless, it’s hard to fathom how it could have actually been a mistake.

But, hooray! It turns out everyone, everywhere is wrong about everything: Solomon says that, sure, the movie has a woman in a cage, but really, it’s “about female empowerment.” So, parents everywhere, get your young daughters to LA, quick, so they can be empowered by the billboards before they’re taken down this afternoon!

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From the desk of Mother Jones CEO, Monika Bauerlein...

Newsrooms can be funded in many ways. One of the most controversial (and volatile) ways is by a for-profit corporation or a billionaire owner. We see it across the headlines on a weekly basis: the claw backs in public media, the gutting of The Washington Post, the bending over backwards to appeal to Trump and his allies.

But not here.

When Mother Jones first started publishing 50 years ago, our founders made a critical decision: to be a reader-supported nonprofit. They knew that no corporate owner would be interested in a muckraking newsroom; they also knew that no muckraking newsroom would be interested in following the agenda of a corporate owner.

And so, we’ve been reader-funded for half a century. We rely on contributions from our readers—readers like you—whether it’s $50, or $15 a month, or whatever fits your budget. People give what they can, and every donation makes a difference for our newsroom, which has grown tremendously—in size and reach and renown—since its inception in 1976.

You may be wondering: What does it take to publish an investigation? And what does my donation actually fund? The answers are one and the same: It takes people, resources, and time. And that’s what your donation funds directly.

Every donation Mother Jones receives from readers fortifies our newsroom, whether we’re covering underreported scandals out of Washington, DC, or the most important news of the day. And right now, each donation will be doubled because of our $50,000 match. So when you make a donation—$5, $50, any amount—it’ll go twice as far.

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