“The Fempire:” Female Screenwriters Give Hollywood a Run For Its Money

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Lotsa good feminist stuff on the wires today, like these four under-30 screenwriters kicking ass in Hollywood and watching each other’s backs. Again, the Times

“Mr. Spielberg will call her and she’ll be afraid to answer the phone,” Ms. Scafaria said of Ms. Cody. “I’ll be like, ‘Answer the phone!’ “

Ms. Cody said: “I’ll think it’s all over. I’m a pessimist.”

Ms. Scafaria said, “He’ll be calling to praise her.”

Ms. Cody won an Oscar for her screenplay for “Juno.” Ms. Scafaria is the screenwriter for “Nick & Norah’s Infinite Playlist.” …

With their pals Dana Fox, who wrote “What Happens in Vegas,” and Liz Meriwether, a playwright-turned-screenwriter, they make up a Hollywood powerhouse writing posse who call themselves “The Fempire.”

You can find them at work in their Laurel Canyon homes in their pajamas, or sitting next to one another at laptop-friendly restaurants. To see them gathered amid the dinosaur topiary around Ms. Fox’s swimming pool with their dogs (they all have dogs) is to see four distinct styles of glamour that bear little resemblance to traditional images of behind-the-scenes talent. Whenever one of them has a movie opening, they all rent a white limousine and go from theater to theater to watch the first audiences react…

I especially love the way they fly around the country supporting each other at premieres and, most importantly, giving each other permission to just fracking enjoy their success. To own it, something too many of us have a hard time with:

“This was never truer than during the hoopla surrounding “Juno,” Ms. Cody’s story of a pregnant teenager who decides to have her baby and give it up for adoption. The other women lent or bought outfits for Ms. Cody, but that was the least of it.

“They supported me through the wildest time in my career,” Ms. Cody said. “They helped me be excited for things when I was kind of shellshocked. They were the ones who had to literally take me aside at the ‘Juno’ premiere and say: ‘This is fun. You will never forget this. Please enjoy yourself.'”

From the mouths of babes.

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From the desk of Mother Jones CEO, Monika Bauerlein...

Newsrooms can be funded in many ways. One of the most controversial (and volatile) ways is by a for-profit corporation or a billionaire owner. We see it across the headlines on a weekly basis: the claw backs in public media, the gutting of The Washington Post, the bending over backwards to appeal to Trump and his allies.

But not here.

When Mother Jones first started publishing 50 years ago, our founders made a critical decision: to be a reader-supported nonprofit. They knew that no corporate owner would be interested in a muckraking newsroom; they also knew that no muckraking newsroom would be interested in following the agenda of a corporate owner.

And so, we’ve been reader-funded for half a century. We rely on contributions from our readers—readers like you—whether it’s $50, or $15 a month, or whatever fits your budget. People give what they can, and every donation makes a difference for our newsroom, which has grown tremendously—in size and reach and renown—since its inception in 1976.

You may be wondering: What does it take to publish an investigation? And what does my donation actually fund? The answers are one and the same: It takes people, resources, and time. And that’s what your donation funds directly.

Every donation Mother Jones receives from readers fortifies our newsroom, whether we’re covering underreported scandals out of Washington, DC, or the most important news of the day. And right now, each donation will be doubled because of our $50,000 match. So when you make a donation—$5, $50, any amount—it’ll go twice as far.

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