November 11, 2013

Music Review: “Christmas at the Airport” by Nick Lowe

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TRACK 3

“Christmas at the Airport”

From Nick Lowe’s Quality Street

YEP ROC

Liner notes: The pub-rock vet portrays a stranded traveler on this wry toe-tapper from possibly the least festive Christmas album ever.

Behind the music: In the ’70s, Lowe produced upstart artists like Elvis Costello and the Damned. His own music has evolved from snarky pop to a heartfelt rootsy style, reflecting the influence of former father-in-law Johnny Cash, who recorded Lowe’s “The Beast in Me.”

Check it out if you like: Thoughtful vets like Robyn Hitchcock and Rodney Crowell.

This review originally appeared in our November/December 2013 issue of Mother Jones.

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WE'LL BE BLUNT.

We have a considerable $390,000 gap in our online fundraising budget that we have to close by June 30. There is no wiggle room, we've already cut everything we can, and we urgently need more readers to pitch in—especially from this specific blurb you're reading right now.

We'll also be quite transparent and level-headed with you about this.

In "News Never Pays," our fearless CEO, Monika Bauerlein, connects the dots on several concerning media trends that, taken together, expose the fallacy behind the tragic state of journalism right now: That the marketplace will take care of providing the free and independent press citizens in a democracy need, and the Next New Thing to invest millions in will fix the problem. Bottom line: Journalism that serves the people needs the support of the people. That's the Next New Thing.

And it's what MoJo and our community of readers have been doing for 47 years now.

But staying afloat is harder than ever.

In "This Is Not a Crisis. It's The New Normal," we explain, as matter-of-factly as we can, what exactly our finances look like, why this moment is particularly urgent, and how we can best communicate that without screaming OMG PLEASE HELP over and over. We also touch on our history and how our nonprofit model makes Mother Jones different than most of the news out there: Letting us go deep, focus on underreported beats, and bring unique perspectives to the day's news.

You're here for reporting like that, not fundraising, but one cannot exist without the other, and it's vitally important that we hit our intimidating $390,000 number in online donations by June 30.

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