This Is What Classic Pieces of Art Would Look Like if the Prudes at Fox 5 News Had Their Way


On Monday, a Picasso painting titled Women of Algiers (Version O) fetched a record-setting $179.4 million at a Christie’s auction, beating out Francis Bacon’s Three Studies of Lucian Freud, which just two years prior had sold for $142 million, as the most expensive piece of artwork ever sold.

The sale price for the Women of Algiers (Version O) marked the latest entry into a world so mind-numbingly wealthy and closed off to the general public. It’s the perfect illustration of privilege consolidating into the hands of so few, for no one else to appreciate.

New York‘s senior art critic Jerry Saltz has tackled this issue at large on numerous occasions. But this time around, Saltz identified something perhaps even more outrageous than the $179.4 million price tag:

This is pathetic. In anticipation of a piece inevitably shattering another sale record and this Fox affiliate being right there to cover it—both journalistically and visually—here are a few examples of how that coverage might look like:

Henri Matisse, Dance (1)
 

Bathers (Les Grandes Baigneuses), Paul Cézanne

Katsushika Hokusai’s The Dream of the Fisherman’s Wife

Michelangelo’s David

An abominable peek into the dark arts.

Correction: An earlier version of this story said it was Fox News that had blurred the Picasso painting. This has since been corrected to say it was a Fox affiliate in New York. 

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We have a considerable $390,000 gap in our online fundraising budget that we have to close by June 30. There is no wiggle room, we've already cut everything we can, and we urgently need more readers to pitch in—especially from this specific blurb you're reading right now.

We'll also be quite transparent and level-headed with you about this.

In "News Never Pays," our fearless CEO, Monika Bauerlein, connects the dots on several concerning media trends that, taken together, expose the fallacy behind the tragic state of journalism right now: That the marketplace will take care of providing the free and independent press citizens in a democracy need, and the Next New Thing to invest millions in will fix the problem. Bottom line: Journalism that serves the people needs the support of the people. That's the Next New Thing.

And it's what MoJo and our community of readers have been doing for 47 years now.

But staying afloat is harder than ever.

In "This Is Not a Crisis. It's The New Normal," we explain, as matter-of-factly as we can, what exactly our finances look like, why this moment is particularly urgent, and how we can best communicate that without screaming OMG PLEASE HELP over and over. We also touch on our history and how our nonprofit model makes Mother Jones different than most of the news out there: Letting us go deep, focus on underreported beats, and bring unique perspectives to the day's news.

You're here for reporting like that, not fundraising, but one cannot exist without the other, and it's vitally important that we hit our intimidating $390,000 number in online donations by June 30.

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