Carlo Allegri/Zuma
Morgan Spurlock downed a month of McDonald’s for our fast-food sins in his notorious 2004 film Super Size Me. Now he’s aiming to show us how ad-soaked our lives have become by financing an entire doc about the ubiquity of product placement using—what else?—product placement. The title is no joke; Spurlock pitches POM the naming rights on camera. From then on, he is shown imbibing only the pomegranate beverage, while other drink brands are visibly blurred out. He flies exclusively on JetBlue, wears Merrell shoes (giving a pair to Ralph Nader), and drives Mini Coopers. His contracts obligate him to interview anti-commercialization advocate Susan Linn at a Sheetz gas station, and to stay at a Hyatt when he travels to São Paolo to cover the city’s outdoor ad ban.
While amusing as a meta-commercial packaged as an inquiry into artistic integrity, the film inevitably feels like a stunt. The slyest touch may be that amid the hawking and well-worn revelations about advertising, the biggest sell is for the amiable Spurlock as the genre’s reigning goofball tour guide. All that’s missing is the obligatory survey question: Are you more or less likely to purchase this brand in the future?
This review appeared in the May/June 2011 issue of Mother Jones.
