Art vs. Artists

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Aside from constructing a remarkably baroque but (I hope!) properly positioned shelf for my computer mouse — all in an effort to reduce the increasing pain in virtually every joint in my right arm — I also read Tyler Cowen’s Create Your Own Economy this weekend.  I don’t really trust myself to blog an overall reaction to it, so instead I offer up this excerpt for discussion.  It’s a comparison of traditional culture, in which the artist produces a sustained, integrated performance of some kind, to modern culture, which we increasingly create ourselves by stitching together bits and pieces:

Today we don’t usually receive comedy, tragedy, and the sublime all in ready-to-consume, prepackaged form.  As I’ve stated, we’re more interested in this idea of assembling the bits ourselves.  For all its virtues, it takes well over three hours to hear Don Giovanni straight through, perhaps four hours with intermission.  Plus the libretto is in Italian.  And if you want to see it live, a good ticket can cost hundreds of dollars plus travel costs.

So we instead pick up cultural moods and inputs we want from disparate sources and bring them together through self-assembly.  We take a joke from YouTube, a terrifying scene from a Japanese slasher movie, a melody from a three-minute iTunes purchase, and the sublime from our memories of last year’s visit to the Grand Canyon, perhaps augmented through a photograph.  The result is a rich and varied stream of inner experience.

Tyler’s contention is that the “mental ordering” involved in collecting lots of cultural bits and then obsessively organizing them can be every bit as gratifying and inspiring as consuming a play by Shakespeare or a novel by Faulkner (or a Broadway show or a genre romance novel).  But this strikes me as a chimera: it’s like comparing your own amateur piano playing with taking in a performance by Glenn Gould.  They’re both worthwhile activities, and the former can illuminate the latter, but that doesn’t mean you get the same thing out of them.  That’s because Gould is a genius and you’re not.  There’s more to art than whether it lights up your brain’s pleasure centers.

It’s unfair to offer just this short excerpt without more of Tyler’s surrounding argument, but one way or another an awful lot of the book hinges on the idea expressed here: namely that obsessive mental ordering of cultural bits is increasingly providing a substitute for the enjoyment of traditional, long-form art created by others.  He might be right that this is happening, but I’m double plus unconvinced that it’s as positive a development as he suggests.  Opinions?

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SIX TRUTHS

Reclaiming power from those who abuse it often starts with telling the truth. And in "This Is How Authoritarians Get Defeated," MoJo's Monika Bauerlein unpacks six truths to remember during the homestretch of an election where democracy, truth, and decency are on the line.

Truth #1: The chaos is the point.

Truth #2: Team Reality is bigger than it seems.

Truth #3: Facebook owns this.

Truth #4: When we go to work, we're in the fight.

Truth #5: It's about minority rule.

Truth #6: The only thing that can save us is…us.

Please take a moment to see how all these truths add up, because what happens in the weeks and months ahead will reverberate for at least a generation and we better be prepared.

And if you think journalism like Mother Jones'—that calls it like it is, that will never acquiesce to power, that looks where others don't—can help guide us through this historic, high-stakes moment, and you're able to right now, please help us reach our $350,000 goal by October 31 with a donation today. It's all hands on deck for democracy.

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