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My take on the Oscars: 2011 was not a great year for movies. The Academy’s decision to increase the number of Best Picture nominees from five to ten has never looked more pathetic. Especially since they could only come up with nine this year.

That said, I thought The Artist was clever, but ultimately little more than a bon bon. I’m hard-pressed to understand the lavish praise it got. Tree of Life was ambitious and had some sparks of brilliance, but in the end it didn’t work. The Descendants was good; mainstream but good. However, it was a little too overtly manipulative for my taste. Midnight in Paris was a cute trifle, but just a trifle. Moneyball was very good, but just a little too ordinary to play in the big leagues. I didn’t see The Help, War Horse, or Extremely Loud & Incredibly Close.

By process of elimination, that means my pick for Best Picture this year is…..Hugo. I didn’t like all of Hugo, but I liked a lot of it, and if the Academy is going to give the big prize to a valentine to Hollywood, I’d pick Hugo over The Artist. Needless to say, I expect to be pretty disappointed this evening.

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Managing an independent, nonprofit newsroom is staggeringly hard. There’s no cushion in our budget—no backup revenue, no corporate safety net. We can’t afford to fall short, and we can’t rely on corporations or deep-pocketed interests to fund the fierce, investigative journalism Mother Jones exists to do. That’s why we need you right now. Please chip in to help close the gap.

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