Who’s the FBI Agent in “Richard Jewell”?

Sure, Jon Hamm looks like a lecherous FBI agent who might trade information for sex. But whose part is he really playing?Starmax/Newscom via ZUMA

Get your news from a source that’s not owned and controlled by oligarchs. Sign up for the free Mother Jones Daily.

Clint Eastwood’s new movie, Richard Jewell, about the man who was falsely accused of planting a bomb at the 1996 Olympics in Atlanta, has gotten generally good reviews from critics but has come under fire from journalists and feminists for a scene in which a newspaper reporter offers to sleep with an FBI agent if he’ll tell her the name of their suspect. It’s such a tired—and tiresome—trope. But aren’t there two sides to this? What about the FBI agent? By chance, just as I was wondering about this, the New York Times provided a few details:

Mr. Eastwood’s film, written by the veteran screenwriter Billy Ray, follows the standard practice for movies based on real-life events by taking liberties with certain facts to speed the story along. But it uses Ms. Scruggs’s real name while giving a new one to the F.B.I. agent, raising the question of whether the filmmakers risked damaging the reporter’s reputation in their efforts to convey how Mr. Jewell lost his.

….At an awards-campaign talk in Los Angeles last month, the film’s screenwriter, Mr. Ray, said he had spoken with people involved in the case. “I will stand behind every word of the script,” he added.

There are two obvious things here. The first is that the reporter died a few years ago and you can’t libel a dead person. So there was no legal risk in using her name. The FBI agent, by contrast, is still alive and could sue for libel if he were wrongly named.

The second is that maybe the FBI agent was Ray’s source in the first place, and not naming him was part of the source agreement.

So what I really want to know now is: what’s the name of the FBI agent? And was he the source for the movie?

BEFORE YOU CLICK AWAY!

December is make or break for us. A full one-third of our annual fundraising comes in this month alone. A strong December means our newsroom is on the beat and reporting at full strength. A weak one means budget cuts and hard choices ahead.

The December 31 deadline is closing in fast. To reach our $400,000 goal, we need readers who’ve never given before to join the ranks of MoJo donors. And we need our steadfast supporters to give again today—any amount.

Managing an independent, nonprofit newsroom is staggeringly hard. There’s no cushion in our budget—no backup revenue, no corporate safety net. We can’t afford to fall short, and we can’t rely on corporations or deep-pocketed interests to fund the fierce, investigative journalism Mother Jones exists to do.

That’s why we need you right now. Please chip in to help close the gap.

BEFORE YOU CLICK AWAY!

December is make or break for us. A full one-third of our annual fundraising comes in this month alone. A strong December means our newsroom is on the beat and reporting at full strength. A weak one means budget cuts and hard choices ahead.

The December 31 deadline is closing in fast. To reach our $400,000 goal, we need readers who’ve never given before to join the ranks of MoJo donors. And we need our steadfast supporters to give again today—any amount.

Managing an independent, nonprofit newsroom is staggeringly hard. There’s no cushion in our budget—no backup revenue, no corporate safety net. We can’t afford to fall short, and we can’t rely on corporations or deep-pocketed interests to fund the fierce, investigative journalism Mother Jones exists to do.

That’s why we need you right now. Please chip in to help close the gap.

We Recommend

Latest

Sign up for our free newsletter

Subscribe to the Mother Jones Daily to have our top stories delivered directly to your inbox.

Get our award-winning magazine

Save big on a full year of investigations, ideas, and insights.

Subscribe

Support our journalism

Help Mother Jones' reporters dig deep with a tax-deductible donation.

Donate