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A fanzine writer once observed that sometimes a copy of a copy can be better than the original. But when it comes to pop music, where originality is about as prized as diversity, the real question is whether a copy of a copy can sell better than the original (or its copy). Certainly, to look at the progression from the Lawrence Welk Hotsy-Totsy Boys to the Bee Gees to Hanson is to understand that quality doesn’t vary much in aural ready-mades. Quantity of sales, however, does:

ORIGINAL SECOND GENERATION THIRD GENERATION
Jackson 5
1 million
New Edition
2 million
Backstreet Boys
1 million
Rolling Stones*(’60s-’70s)
6 million
Rolling Stones*(’80s)
4 million
Rolling Stones*(’90s)
2 million
Barbara Streisand
5 million
Whitney Houston
16 million
Celine Dion
9 million
Velvet Underground
233,000
Galaxie 500*
60,000
Luna*
54,000
The Beatles
16 million
The Monkees
5 million
Oasis
4 million
Led Zeppelin
16 million
Soundgarden
5 million
Pearl Jam
10 million

Research by Tracy Hamilton and Katie Isenberg. Figures reflect sales of best-selling album.
*Indicates that bands share actual genetic makeup or members.

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In a climate where journalists face mounting pressure to back down, stay silent, or soften their reporting, Mother Jones refuses to flinch. We’re pushing back against intimidation and delivering fierce, independent journalism that holds power accountable—no matter who’s trying to silence us.

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