Beyoncé Just Covered the Beatles in the Most Authentic Way: By Honoring Black History

The “Blackbird” cover is an ode to Paul McCartney’s true intentions.

Andrew Harnik/AP

Fight disinformation: Sign up for the free Mother Jones Daily newsletter and follow the news that matters.

Beyoncé’s new genre-defying (but country-forward) album Cowboy Carter dropped overnight. The internet is now poring over track choices, hidden meanings, and symbolism to add to Beyonce Lore.

One such choice is the cover of the Beatles’ iconic song “Blackbird”, from the White Album, as the record’s second track. Trust Beyoncé to reissue a song so redolent with Black history: The song was written about the Black Liberation struggle of the American civil rights movement. Watch:

 

 
 
 
 
 
View this post on Instagram
 
 
 
 
 
 
 
 
 
 
 

 

A post shared by Mother Jones (@motherjonesmag)

“I was sitting around my acoustic guitar, and I’d heard about the civil rights troubles that were happening in the sixties in Alabama, Mississippi, Little Rock in particular,” McCartney told GQ in 2018. “And I just thought it’d be really good if I could write something that, if it ever reached any of the people going through those problems, it might kind of give them a little bit of hope.” The name, “Blackbird”, was a play on British slang, “bird” meaning “girl.”

In particular, McCartney was inspired by the Little Rock Nine, a group of Black students who enrolled in Little Rock Central High School in 1957, after Brown v. The Board of Education heralded the start of school desegregation. On the eve of the teenagers’ first day of school, the Arkansas governor, Orval Faubus, sent in the state’s national guard to stop them, sparking a standoff and legal battle that lasted weeks. Eventually President Eisenhower federalized the National Guard and sent troops to protect the teenagers.

Now, Beyoncé has made me think about the incredibly brave little Black girls desegregating the American South: Ruby Bridges, Elizabeth Eckford, and many, many others, who faced hell. That’s who this song was written for, which adds even more significance to Beyoncé’s choice to feature the voices of four Black women on her version of this song—Tanner Adell, Brittney Spencer, Tiera Kennedy, and Reyna Roberts. It’s kind of perfect.

AN IMPORTANT UPDATE

We’re falling behind our online fundraising goals and we can’t sustain coming up short on donations month after month. Perhaps you’ve heard? It is impossibly hard in the news business right now, with layoffs intensifying and fancy new startups and funding going kaput.

The crisis facing journalism and democracy isn’t going away anytime soon. And neither is Mother Jones, our readers, or our unique way of doing in-depth reporting that exists to bring about change.

Which is exactly why, despite the challenges we face, we just took a big gulp and joined forces with the Center for Investigative Reporting, a team of ace journalists who create the amazing podcast and public radio show Reveal.

If you can part with even just a few bucks, please help us pick up the pace of donations. We simply can’t afford to keep falling behind on our fundraising targets month after month.

Editor-in-Chief Clara Jeffery said it well to our team recently, and that team 100 percent includes readers like you who make it all possible: “This is a year to prove that we can pull off this merger, grow our audiences and impact, attract more funding and keep growing. More broadly, it’s a year when the very future of both journalism and democracy is on the line. We have to go for every important story, every reader/listener/viewer, and leave it all on the field. I’m very proud of all the hard work that’s gotten us to this moment, and confident that we can meet it.”

Let’s do this. If you can right now, please support Mother Jones and investigative journalism with an urgently needed donation today.

payment methods

AN IMPORTANT UPDATE

We’re falling behind our online fundraising goals and we can’t sustain coming up short on donations month after month. Perhaps you’ve heard? It is impossibly hard in the news business right now, with layoffs intensifying and fancy new startups and funding going kaput.

The crisis facing journalism and democracy isn’t going away anytime soon. And neither is Mother Jones, our readers, or our unique way of doing in-depth reporting that exists to bring about change.

Which is exactly why, despite the challenges we face, we just took a big gulp and joined forces with the Center for Investigative Reporting, a team of ace journalists who create the amazing podcast and public radio show Reveal.

If you can part with even just a few bucks, please help us pick up the pace of donations. We simply can’t afford to keep falling behind on our fundraising targets month after month.

Editor-in-Chief Clara Jeffery said it well to our team recently, and that team 100 percent includes readers like you who make it all possible: “This is a year to prove that we can pull off this merger, grow our audiences and impact, attract more funding and keep growing. More broadly, it’s a year when the very future of both journalism and democracy is on the line. We have to go for every important story, every reader/listener/viewer, and leave it all on the field. I’m very proud of all the hard work that’s gotten us to this moment, and confident that we can meet it.”

Let’s do this. If you can right now, please support Mother Jones and investigative journalism with an urgently needed donation today.

payment methods

We Recommend

Latest

Sign up for our free newsletter

Subscribe to the Mother Jones Daily to have our top stories delivered directly to your inbox.

Get our award-winning magazine

Save big on a full year of investigations, ideas, and insights.

Subscribe

Support our journalism

Help Mother Jones' reporters dig deep with a tax-deductible donation.

Donate