YouTube Mania: Bjork in Nature

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mojo-photo-bjorkvideo.jpgYou know, when Björk isn’t decking journalists or inspiring revolutions, she actually makes music, and continues to hire ground-breaking artists for collaborative efforts. A recent NY Times feature looked into the making of the video for her new single, “Wanderlust,” and while the song is (perhaps intentionally) a bit aimless, the video is a hypnotic combination of elaborate puppetry and eye-popping computer graphics. The best part of the Times feature is the interviewer’s hysterics after the San Francisco-based director reveals matter-of-factly that he was inspired by a nature walk whilst under the influence of psychedelic mushrooms. I know, Times gal, it’s sooo crazy! What’s actually crazy is that a Björk video gets a 6-figure budget in this day and age. I’m assuming she made a loan to her campaign? Watch “Wanderlust,” and some classic Björk videos in which glorious Nature plays a major role, after the jump.

[Update: a reliable source got in touch to say that the interviewer wasn’t shocked at the mention of drugs as much as she was surprised that the apparently mild-mannered directors had indulged. Okay, fine. Also, I forgot to mention that the “Wanderlust” video was filmed in 3D, and a DVD version complete with 3D decoder glasses will be out April 14th.]

Björk – “Wanderlust” (from Volta, 2007)
In which friendly bison take Björk (and a Cirque du Soleil refugee) whitewater rafting.

Björk – “Human Behaviour” (from Debut, 1993)
In which a decidedly less expensive depiction of nature (bear suit: $20) gets aggressive.

Björk – “Joga” (from Homogenic, 1997)
In which the brutally extreme Iceland landscape rushes by in vertigo-inducing shots before ripping apart at the seams.

Björk – “Isobel” (from Post, 1995)
In which a spooky forest provides the backdrop for a fairy tale of identity—and hey, anybody know how to grow those light bulb plants?

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THE FACTS SPEAK FOR THEMSELVES.

At least we hope they will, because that’s our approach to raising the $350,000 in online donations we need right now—during our high-stakes December fundraising push.

It’s the most important month of the year for our fundraising, with upward of 15 percent of our annual online total coming in during the final week—and there’s a lot to say about why Mother Jones’ journalism, and thus hitting that big number, matters tremendously right now.

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So we’re going to try making this as un-annoying as possible. In “Let the Facts Speak for Themselves” we give it our best shot, answering three questions that most any fundraising should try to speak to: Why us, why now, why does it matter?

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