Grammy Preview: M.I.A. About to Pop, Radiohead On the March?

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While it’s understandable if you’re a cynic about the usually-preposterous Grammy Awards, Sunday night’s show actually promises some nail-biting races and some dramatic, “will-they-or-won’t-they” performances. First of all, singer M.I.A., up for Record of the Year for “Paper Planes,” is scheduled to perform, despite the fact that she is very, very preggers. In fact, tomorrow Sunday is apparently her due date, if you can believe it. Will her wee Arulpragasam pop out right at the “ka-ching” noise in “Planes,” or will an early arrival force her to cancel? Also upping the drama quotient is Radiohead, who are not scheduled to perform (and have never performed at the Grammys), but rumors are flying all the way to Pitchfork, who seem to believe the Brit combo will play In Rainbows‘ jazzy, drum-led 5/4 opener “15 Step” accompanied by the USC marching band. Hooray Radiohead, but ugh, marching bands—they’re so, you know, “Hollaback Girl.” Pitchfork also holds out hope for a Kanye/Radiohead mashup performance, which would make me pleased for Earworm but sad for myself, since it’s long been a secret wish to see, for instance, Liam Gallagher wander out on to the Grammys stage for a surprise duet with Green Day—even if I don’t get a shout-out.

MTV already made some predictions about who will win (Coldplay, yes; Lil Wayne, nope) but I suppose I can try my hand at calling what the wrinkled old geezers in the Recording Academy will vote for without ever having heard it. My predictions in a few categories after the jump.Record of the Year
Adele – “Chasing Pavements”
Coldplay – “Viva la Vida”
Leona Lewis – “Bleeding Love”
M.I.A. – “Paper Planes” (Should win, 50% chance will win)
Robert Plant & Alison Krauss – “Please Read the Letter” (50% chance will win)

Coldplay would have been a shoo-in for this one, but the Satriani thing (and general negative reviews) has almost assuredly affected Grammy voters’ opinions, legitimately or not. M.I.A.’s stock is rising fast (especially with Slumdog the seemingly unstoppable Oscar juggernaut), but I’m not sure she can pull it off, and it was for a stoner movie before that, which Academy voters probably haven’t forgotten. Adele and Lewis are too light (and cancel each other out), leaving Plant & Krauss as the type of thing Grammy loves to love: dull-as-toast, industry-veteran, medium-level commercial success. I’d say it’s a tossup.

Album of the Year
Coldplay – Viva La Vida Or Death And All His Friends
Lil Wayne – Tha Carter III
Ne-Yo – Year Of The Gentleman
Robert Plant & Alison Krauss – Raising Sand
Radiohead – In Rainbows (Should win, will win)

Another tough category. Wayne has critical acclaim and massive sales, but swears a lot, and is also a rapper, although if he doesn’t win, the Academy faces (more) accusations of racism. Radiohead have critical acclaim and industry-changing accolades, but is their pay-what-you-want screw-the-labels approach something the Recording Academy wants to reward? And does all that mean Robert Plant & Alison Krauss will sneak up from behind as Wayne and Radiohead split the vote? I’ll give it to Radiohead, but just barely.

Song of the Year
Estelle – American Boy
Adele – Chasing Pavements
Jason Mraz – I’m Yours
Sara Bareilles – Love Song
Coldplay – Viva La Vida

God, who cares?!

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WHO DOESN’T LOVE A POSITIVE STORY—OR TWO?

“Great journalism really does make a difference in this world: it can even save kids.”

That’s what a civil rights lawyer wrote to Julia Lurie, the day after her major investigation into a psychiatric hospital chain that uses foster children as “cash cows” published, letting her know he was using her findings that same day in a hearing to keep a child out of one of the facilities we investigated.

That’s awesome. As is the fact that Julia, who spent a full year reporting this challenging story, promptly heard from a Senate committee that will use her work in their own investigation of Universal Health Services. There’s no doubt her revelations will continue to have a big impact in the months and years to come.

Like another story about Mother Jones’ real-world impact.

This one, a multiyear investigation, published in 2021, exposed conditions in sugar work camps in the Dominican Republic owned by Central Romana—the conglomerate behind brands like C&H and Domino, whose product ends up in our Hershey bars and other sweets. A year ago, the Biden administration banned sugar imports from Central Romana. And just recently, we learned of a previously undisclosed investigation from the Department of Homeland Security, looking into working conditions at Central Romana. How big of a deal is this?

“This could be the first time a corporation would be held criminally liable for forced labor in their own supply chains,” according to a retired special agent we talked to.

Wow.

And it is only because Mother Jones is funded primarily by donations from readers that we can mount ambitious, yearlong—or more—investigations like these two stories that are making waves.

About that: It’s unfathomably hard in the news business right now, and we came up about $28,000 short during our recent fall fundraising campaign. We simply have to make that up soon to avoid falling further behind than can be made up for, or needing to somehow trim $1 million from our budget, like happened last year.

If you can, please support the reporting you get from Mother Jones—that exists to make a difference, not a profit—with a donation of any amount today. We need more donations than normal to come in from this specific blurb to help close our funding gap before it gets any bigger.

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