The Sad, Danceable Pop Songs of Bleachers’ Jack Antonoff


You might not have heard of Jack Antonoff, the mastermind of the indie-pop project, Bleachers, but he’s definitely made you dance. The 30-year-old, best known as the lead guitarist of Fun (and Lena Dunham’s boo) has co-written a number of addictive hits, including Fun’s Grammy-winning “We Are Young” and Sara Bareilles’ “Brave.” Now he’s turning his attention to his solo project, Bleachers, with the aim of making you dance and cry at the same time. “I lost my sister when I was 18, and I felt it was the monumental thing that happened in my life,” Antonoff told me. “Now I’m 30, I write from that time, in the perspective of how it’s affected me now.” He tries to “find ways to move about the world and not feel broken all the time.”

Antonoff says he wrote Strange Desire—his new album out this week—while driving alone at night, up and down the New Jersey Turnpike. His listeners, he believes, are excited when they get to hear, “more intense concepts than what might be going in the radio.” On that note, he takes pains to attend to his fans. He announced the album through a Craigslist ad, asking people to do their own remixes of one of the singles. He later unveiled the album art by delivering it on a chocolate birthday cake to a group of fans. “What fanbases don’t need is another obnoxious hash-tag campaign,” he jokes.

On the surface, Strange Desire is a dance-party album, but it’s the kind of party you’re having alone, in your room, after everyone has gone home and your crush is making out with someone else. On the song “I Wanna Get Better,” Antonoff sings, “Standing on the overpass screaming at cars / Hey, I wanna get better!” My favorite track is “Rollercoaster,” a love song soaked in regret.

It shouldn’t come as a surprise that Antonoff likes Swedish pop star Robyn, of “Dancing on My Own” fame. More generally, he’s a fan of songs that feel “epic and larger than life” while also making “you want to curl up and die.” (He cites Bruce Springsteen, ABBA, Tom Waits, and Neil Young as artists who can fall into that category.) His album title, Antonoff says, comes from the feeling that he’s “motivated by a strange desire. It pushes you, it fulfills you in a strange way. But it kind of kills you at the same time.”

DOES IT FEEL LIKE POLITICS IS AT A BREAKING POINT?

Headshot of Editor in Chief of Mother Jones, Clara Jeffery

It sure feels that way to me, and here at Mother Jones, we’ve been thinking a lot about what journalism needs to do differently, and how we can have the biggest impact.

We kept coming back to one word: corruption. Democracy and the rule of law being undermined by those with wealth and power for their own gain. So we're launching an ambitious Mother Jones Corruption Project to do deep, time-intensive reporting on systemic corruption, and asking the MoJo community to help crowdfund it.

We aim to hire, build a team, and give them the time and space needed to understand how we got here and how we might get out. We want to dig into the forces and decisions that have allowed massive conflicts of interest, influence peddling, and win-at-all-costs politics to flourish.

It's unlike anything we've done, and we have seed funding to get started, but we're looking to raise $500,000 from readers by July when we'll be making key budgeting decisions—and the more resources we have by then, the deeper we can dig. If our plan sounds good to you, please help kickstart it with a tax-deductible donation today.

Thanks for reading—whether or not you can pitch in today, or ever, I'm glad you're with us.

Signed by Clara Jeffery

Clara Jeffery, Editor-in-Chief

We Recommend

Latest

Sign up for our newsletters

Subscribe and we'll send Mother Jones straight to your inbox.

Get our award-winning magazine

Save big on a full year of investigations, ideas, and insights.

Subscribe

Support our journalism

Help Mother Jones' reporters dig deep with a tax-deductible donation.

Donate

Share your feedback: We’re planning to launch a new version of the comments section. Help us test it.