Traffic and Weather

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Right now is no time to come up short.

It's time to fight like hell for a democracy where minority rule cannot impose an extreme and cruel agenda, where the Big Lie is called a Big Lie, where facts matter, and where accountability at the polls and in the press has a fighting chance. We have our work cut out for us, and we urgently need to raise about 400,000 by Thursday, June 30, to finish our fiscal year on track and give it everything we possibly can. Please help us get there with a donation if you can right now.

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Right now is no time to come up short. It's time to fight like hell for a democracy where minority rule cannot impose an extreme and cruel agenda, where facts matter, and where accountability at the polls and in the press has a fighting chance. We have our work cut out for us, and we still need to raise upwards of 400,000 by June 30 to give it everything we can. Please help:

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They’re not quite John Cheever or Alice Munro, but Fountains of Wayne’s Adam Schlesinger and Chris Collingwood are the closest thing in rock and roll to great short-story writers. Throwing Beatles-esque rock, synth-pop, country, and you-name-it into the stylistic blender, the irresistible Traffic and Weather captures the quiet desperation and occasional triumphs of ordinary people, including the lonely guy hitting on a clerk at the dmv, the Long Island waitress who flees to Europe on a whim, and the cheerful pothead subsisting on Doritos and Oliver Stone movies. Schlesinger and Collingwood prefer dry, understated vocals that wisely shrug off melodrama, realizing that their indelible character studies don’t need a hard sell.