Glenn Beck, Thespian

Photo used under a Creatives Commons license by Flickr user Max Wolfe

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If you skipped last night’s Glenn Beck holiday special, The Christmas Sweater: A Return to Redemption, you had company. The live event, beamed into 475 movie theaters nationwide, sold 17 tickets apiece in Boston and New York, and 30 in Washington, DC. At the downtown cineplex in San Francisco, a brisk walk from Mother Jones headquarters and the only theater in the city to air the program, the crowd could be counted on just two fingers—three, if you include this reporter.

The program revolves around a pre-taped, one-man stage production of Beck’s semi-autographical novel, The Christmas Sweater (now available in children’s book form), in which a young boy, Eddie (played by Beck), rejects his mom’s knitted gift, only to watch in horror as she dies in a horrific accident that evening. Eddie runs away from home and hits rock bottom—which a teary-eyed Beck illustrates by collapsing to the floor into a fetal postion—before finding finding salvation and discovering the true meaning of Christmas. It’s a real heartwarmer.

Following Eddie’s redemption, the event switched to a live forum profiling figures with stories a lot like Beck’s. As the sympathetic testimonials pour in—from a cancer survivor, a recovering drug addict, and a young man who says Beck’s novel brought him back from suicide’s edge—the lone constant, (other than Beck choking back tears, of course), is a barn-sized book jacket for The Christmas Sweater. For all the emotional rhetoric, A Return to Redemption is really just a big-budget infomercial.

 

Beck laments at one point that 2009 has been a year to forget, which is partially true, but not for him. Between the 9/12 project, his forthcoming plan to overhaul American democracy, and his movie, he’s become conservatives’ most versatile pitchman, a one-man WalMart for political outrage, literary grace, and, should you need it, a shoulder to cry on.

 

Sad you missed out on A Return to Redemption? Fear not. Beck will be back for an encore on December 10. Good seats are still available.

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WE'LL BE BLUNT.

We have a considerable $390,000 gap in our online fundraising budget that we have to close by June 30. There is no wiggle room, we've already cut everything we can, and we urgently need more readers to pitch in—especially from this specific blurb you're reading right now.

We'll also be quite transparent and level-headed with you about this.

In "News Never Pays," our fearless CEO, Monika Bauerlein, connects the dots on several concerning media trends that, taken together, expose the fallacy behind the tragic state of journalism right now: That the marketplace will take care of providing the free and independent press citizens in a democracy need, and the Next New Thing to invest millions in will fix the problem. Bottom line: Journalism that serves the people needs the support of the people. That's the Next New Thing.

And it's what MoJo and our community of readers have been doing for 47 years now.

But staying afloat is harder than ever.

In "This Is Not a Crisis. It's The New Normal," we explain, as matter-of-factly as we can, what exactly our finances look like, why this moment is particularly urgent, and how we can best communicate that without screaming OMG PLEASE HELP over and over. We also touch on our history and how our nonprofit model makes Mother Jones different than most of the news out there: Letting us go deep, focus on underreported beats, and bring unique perspectives to the day's news.

You're here for reporting like that, not fundraising, but one cannot exist without the other, and it's vitally important that we hit our intimidating $390,000 number in online donations by June 30.

And we hope you might consider pitching in before moving on to whatever it is you're about to do next. It's going to be a nail-biter, and we really need to see donations from this specific ask coming in strong if we're going to get there.

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