The Projectionists at One of LA’s Most Famous Theaters Are Apparently Tired of Being Paid Like Crap


The ArcLight is one of the most famous theaters in Hollywood. (It looks like a golf ball. In my house it is known as the golf ball movie theater.) Every Friday night, arm-linked lovers bustle in to find new big flicks. Last night some patrons also found the following Christmas card:

This comes from TV writer David Slack who added on Twitter, “I love you, @ArcLightCinemas but I got this outside your theater. Don’t be an a-hole. Pay your people better.”

It’s tough times for projectionists. It’s a high skilled job that for a long time made a reliable career, but over the last decade theaters have increasingly dropped their 35mm projectors in favor of digital setups that don’t require the same technical proficiency to operate. ArcLight projectionists are having an especially difficult time. According to the Stage Technicians Unions, which has been protesting the theater for months, they make less than half what projectionists at competing theaters in LA make. 

I reached out to Chris Forman and will update if he gets back to me.

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We have a considerable $390,000 gap in our online fundraising budget that we have to close by June 30. There is no wiggle room, we've already cut everything we can, and we urgently need more readers to pitch in—especially from this specific blurb you're reading right now.

We'll also be quite transparent and level-headed with you about this.

In "News Never Pays," our fearless CEO, Monika Bauerlein, connects the dots on several concerning media trends that, taken together, expose the fallacy behind the tragic state of journalism right now: That the marketplace will take care of providing the free and independent press citizens in a democracy need, and the Next New Thing to invest millions in will fix the problem. Bottom line: Journalism that serves the people needs the support of the people. That's the Next New Thing.

And it's what MoJo and our community of readers have been doing for 47 years now.

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In "This Is Not a Crisis. It's The New Normal," we explain, as matter-of-factly as we can, what exactly our finances look like, why this moment is particularly urgent, and how we can best communicate that without screaming OMG PLEASE HELP over and over. We also touch on our history and how our nonprofit model makes Mother Jones different than most of the news out there: Letting us go deep, focus on underreported beats, and bring unique perspectives to the day's news.

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