Asawin Suebsaeng

Asawin Suebsaeng

Interactive Writing Fellow

Asawin Suebsaeng is the interactive writing fellow at the Washington, DC, bureau of Mother Jones. He has also written for The American Prospect, the Bangkok Post, and Shoecomics.com.

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A graduate of Franklin & Marshall College in Lancaster, Penn., Asawin came back to DC with hopes of putting his flimsy Creative Writing major, student newspaper tenure, and interest in human rights and political chicanery to some use. He started cutting his teeth at F&M's student-run weekly, The College Reporter, serving as editor in chief. He has interned at The American Prospect, been a reporter for the Bangkok Post, and scribbled for ShoeComics.com. His favorite movie is either Apocalypse Now or Pirahna 3D, depending on the day or mood.

What Does the "Les Misérables" Movie Have to Do With the Newtown Shooting?

| Thu Dec. 20, 2012 2:41 PM PST
les miserables 2012 daniel huttlestoneDaniel Huttlestone, right, who plays the child Gavroche in the new "Les Miz" movie

In the days following the horrific Newtown massacre—in which 20 schoolchildren were gunned down at Sandy Hook Elementary—the folks in entertainment media were especially careful not to offend. Violent and death-related content was suddenly (and quite transparently) deemed bad for business or in poor taste: The Pittsburgh premiere of the Tom Cruise action movie Jack Reacher was postponed, for example, and the LA premiere of Quentin Tarantino's brutally violent Django Unchained was canceled (with Django star Jamie Foxx himself cautioning against gratuitous violence in film). In TV land, the debut of the reality TV special Best Funeral Ever was delayed, Ted Nugent's celebration of gun culture was nixed from the Discovery Channel's schedule, a Blake Shelton Christmas special that features a reindeer assassination was pulled, and the recent season finales of Dexter and Homeland opened with disclaimers. On commercial radio, pop songs like Foster the People's "Pumped Up Kicks" and Ke$ha's "Die Young" received substantially reduced airplay. And let's not forget that Barry Manilow postponed a concert out of respect and concern for the affected families.

This is how the entertainment industry generally reacts when a national trauma occurs. There's no reason to think that altering, delaying, or refusing to air violent television and film scenes will help heal national wounds. But considering the immediate outpouring of PR gestures from across the American entertainment industry, it's curious that the only new movie that prominently features a child being shot to death seems to have gotten a pass. 

The movie is Les Misérables, the big-budget adaptation of the beloved musical set in post-revolutionary France. It's directed by acclaimed filmmaker Tom Hooper, has a star-studded cast, and is slated to be released in the United States on Christmas Day. (Spoiler to follow.)

Anyone familiar with the stage musical or Victor Hugo's book on which it is based knows how this goes: During the June Rebellion in 1832, armed republicans set up barricades in the streets of Paris in an attempt to spark an overthrow of the monarchy. Among the rebels is Gavroche (played by Daniel Huttlestone in the 2012 film version), a prepubescent, singing street child. In a moment of tragic heroism, the boy sneaks out from behind the barricade and is repeatedly shot by royal troops.

Here's the scene, from a stage production of Les Miz that featured Nick Jonas of the Jonas Brothers as Gavroche:

Out of all the major motion pictures released at the end of this year, Les Miz bears the clearest and most potentially upsetting parallel to the tragedy at Sandy Hook Elementary; Django Unchained and Jack Reacher do not have any direct likeness to the Newtown mass shooting, beyond the mere fact that they contain violent images. And yet the sensitivity and courtesy shown by the PR teams of other violent movies released this month is nowhere to be found with Les Miz.

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Aloha, Daniel Inouye; Senator and Amazing WWII Hero, Dead at 88

| Tue Dec. 18, 2012 9:39 AM PST
senator daniel inouye

On Monday, Sen. Daniel Inouye (D-HI) passed away due to respiratory complications at the age of 88. His last word before dying was, according to his office's press release, "Aloha."

Inouye, the second longest serving senator in American history, was noted for his involvement in both the Watergate and Iran-contra investigations. He delivered the keynote at the infamous 1968 Democratic National Convention in Chicago. He was the first Japanese American to serve in the US Congress. He was the father of Kenny Inouye, the guitar player in the DC hardcore punk band Marginal Man.

Inouye also served in the 442nd Regimental Combat Team—a unit made up almost entirely of Japanese Americans who wanted to show allegiance in the face of internment—during World War II. (The team went on to become the most decorated infantry regiment in US Army history.) He is probably best known for this one time in which he killed throngs of Nazis in a manner closely resembling the climactic scene in the movie The Wild Bunch. But unlike the protagonists in The Wild Bunch, he somehow made it out alive at the end.

Here's an excerpt from a Hawaii Reporter piece, which details how a young Inouye responded to getting his arm blown off by Germans during a firefight in Italy:

On April 21, 1945, Dan's company was ordered to attack a heavily defended ridge guarding an important road in the vicinity of San Terenzo. His platoon wiped out an enemy patrol and mortar observation post and reached the main line of resistance before the rest of the American force. As the troops continued up the hill, three German machine guns focused their fire on them, pinning them down. Dan worked his way toward the first bunker. Pulling out a grenade, he felt something hit him in his side but paid no attention and threw the grenade into the machine-gun nest. After it exploded, he advanced and killed the crew.

Dan continued up the hill, throwing two more grenades into the second gun emplacement and destroying it before he collapsed from loss of blood from his wounds. His men, trying to take the third bunker, were forced back. He dragged himself toward it, then stood up and was about to pull the pin on his last grenade when a German appeared in the bunker and fired a rifle grenade. It hit Dan in the right elbow and literally tore off his arm. He pried the grenade out of his dead right fist with his other hand and threw it at the third bunker, then lurched toward it, firing his tommy gun left-handed. A German bullet hit him in the leg. A medic reached him and gave him a shot of morphine. In his typical stoic manner he didn't allow himself to be evacuated until the position was secured. In the hospital, the remnants of his right arm were amputated.

The attack concluded with 25 dead German soldiers, and eight others captured.

Here is Inouye in his own words:

When my platoon members told me [about what I had done], I said, 'No, it can't be. It can't be. You'd have to be insane to do all that.' I think it's all part of the training where you do things almost automatically. It's a sense of duty. That's what they told me, and the company commander who was also observing from the backside, he said, 'I couldn't believe what I saw, because you were a crazy man.'

In 1947, Inouye received over a dozen medals and citations for his heroic assault, including the Distinguished Service Cross and two Purple Hearts. (In 2000, his Distinguished Service Cross was upgraded to the Medal of Honor, which was presented to him by President Clinton.)

Here's an old military photograph of Daniel Inouye, Nazi Pulverizer:

Bill Murray Is Far and Away the Best Franklin D. Roosevelt in Movie History

| Mon Dec. 17, 2012 9:58 AM PST
bill murray hyde park on hudson fdr

When I spoke with director Roger Michell (Changing Lanes, Venus) about casting Bill Murray to play Franklin D. Roosevelt in his new film Hyde Park on Hudson, Michell was emphatic in defending his pick to portray the 32nd president of the United States.

"I've read that some consider it 'stunt casting,' but in fact the reverse is the case," Michell said. "I ended up realizing that I wasn't interested in making the film without Bill Murray. There are other actors who you'd think would be great in the role, but nobody seemed to have that Wizard of Oz-ness about them, that kind of glorious mischief that Bill has."

The reason Michell's decision might strike some as "stunt casting" is because Bill Murray has (despite his more serious roles) an on- and off-screen persona that many would say is too awesome to seem presidential. I mean, have you seen Stripes? His stint on SNL? How about this photo of him co-hosting Eric Clapton's blues-rock festival in 2007?:

bill murray eric clapton
Truejustice/Wikimedia Commons

Or this scene in which he attacks Robert De Niro:

bill muray robert de niro mad dog and glory
Via Universal Studios

Or this photo of Murray at this year's Cannes Film Festival, clearly shunning any sense of stuffy decorum:

bill murray cannes film festival
Via Getty

See? Bill Murray is probably too awesome and entirely too party to play Franklin Roosevelt. And yet Murray knocks it completely out of the park.

"Movie & An Argument" Podcast: "The Hobbit," Bill Murray, and the Golden Globes

| Sat Dec. 15, 2012 7:35 PM PST
bill murray golden globes the hobbit

On this week's episode of A Movie & An Argument, With Alyssa Rosenberg & Asawin Suebsaeng, we discuss (scroll down for audio):

Listen:

Each week, I'll be sitting down to chat with ThinkProgress critic Alyssa Rosenberg (who also does killer work at The Atlantic and Slate's "Double X"). We'll talk, argue, and laugh about the latest movies, television shows, and pop-cultural nonsense—with some politics thrown in just for the hell of it.

Alyssa describes herself as being "equally devoted to the Star Wars expanded universe and Barbara Stanwyck, to Better Off Ted and Deadwood." I (everyone calls me Swin) am a devoted lover of low-brow dark humor, Yuengling, and movies with high body counts. I hope you enjoyed this episode, and tune in during the weeks to come.

We'll be featuring guests on the program, and also taking listeners' questions, so feel free to Tweet them at me here, and we'll see if we can get to them during a show.

Thank you for listening!

Click here for more movie and TV features from Mother Jones. To read more of Asawin's reviews, click here.

To find more episodes of this podcast in the iTunes store, click here.

To check out Alyssa's Bloggingheads show, click here.

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