Charlie Sheen in “Machete Kills” vs. Martin Sheen in “The West Wing”: Who’s The Better American President?

<a href="https://www.facebook.com/photo.php?fbid=476295762455195&set=pb.401091929975579.-2207520000.1381515372.&type=3&theater">Machete Kills</a>/Facebook

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“Motherfucker, I’m not asking! I’m the president of the fucking United States, man.”

So says President Rathcock (solidly played by Charlie Sheen) to Machete (Danny Trejo) during their first encounter in Machete Kills. Rathcock orders the ex-federale to assassinate a psychotic Mexican revolutionary named Mendez (Demián Bichir), who has a missile pointed at Washington, DC. In exchange, the president gives Machete full and immediate citizenship. “I just stamp this bad motherfucker,” Rathcock says, as he marks Machete’s papers.

Machete Kills, directed and co-written by Robert Rodriguez, is the sequel to 2010’s Machete. While it is only marginally political—immigration, the drug war, the military-industrial complex—the first film is one long love letter to liberal immigration politics. (For the record, Rodriguez donated quite a lot of money to Democrats and Obama’s reelection effort). In 2010, some noisy conservatives accused Rodriguez of creating an incitement to race war; and after Arizona’s SB 1070 became law, Rodriguez and Trejo cut a trailer in which Machete delivers a “special Cinco de Mayo message—to Arizona”:

Machete Kills marks the introduction into the franchise of several new characters, such as Luther Voz (a billionaire villain modeled in part after Tesla Motors CEO Elon Musk, and played by Mel Gibson) and Rathcock. Here’s footage of Sheen talking about what he would do if he were President of the United States in real life; his agenda would include banning Twitter and establishing “nude Tuesdays”:

As you may recall, Sheen’s dad, Martin, is famous for playing another fictional American president: Jed Bartlet, on Aaron Sorkin‘s NBC drama The West Wing. “I am the more interesting president, yeah,” Charlie told the US edition of Metro. “I will have your vote after [you see] the movie…In one day in the Oval Office, I slept with three women, pulled out a machine gun, drank, smoked and swore. In seven [seasons], dad didn’t do any of that, you know?”

It is true that Rathcock is much more of an assault-rifle-wielding, playboy hedonist than Bartlet ever was. But which one is the superior American president? Here’s a cheat sheet on their politics and personalities for you to decide which you’d rather vote for:

President Bartlet

  • Democrat (according to Martin Sheen, the character is largely modeled after Bill Clinton, although Bartlet is way more liberal than Clinton)
  • Loyal family man
  • Gun control advocate
  • Pro-immigration reform
  • Breaks all kinds of international law by ordering a team of Navy SEALs to assassinate a Middle Eastern government official who moonlights as a terrorist ringleader.
  • For gay rights, against religious fundamentalism:

President Rathcock

  • Republican
  • Enjoys orgies
  • Gun lover (who campaigned on protecting gun rights “with a vengeance”)
  • Presides over an immigration policy that includes maintaining a gigantic wall between the US and Mexico
  • Executes a foreign policy of ruthless Machete
  • Legalized pot

So, which one of them has your vote?

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We have a considerable $390,000 gap in our online fundraising budget that we have to close by June 30. There is no wiggle room, we've already cut everything we can, and we urgently need more readers to pitch in—especially from this specific blurb you're reading right now.

We'll also be quite transparent and level-headed with you about this.

In "News Never Pays," our fearless CEO, Monika Bauerlein, connects the dots on several concerning media trends that, taken together, expose the fallacy behind the tragic state of journalism right now: That the marketplace will take care of providing the free and independent press citizens in a democracy need, and the Next New Thing to invest millions in will fix the problem. Bottom line: Journalism that serves the people needs the support of the people. That's the Next New Thing.

And it's what MoJo and our community of readers have been doing for 47 years now.

But staying afloat is harder than ever.

In "This Is Not a Crisis. It's The New Normal," we explain, as matter-of-factly as we can, what exactly our finances look like, why this moment is particularly urgent, and how we can best communicate that without screaming OMG PLEASE HELP over and over. We also touch on our history and how our nonprofit model makes Mother Jones different than most of the news out there: Letting us go deep, focus on underreported beats, and bring unique perspectives to the day's news.

You're here for reporting like that, not fundraising, but one cannot exist without the other, and it's vitally important that we hit our intimidating $390,000 number in online donations by June 30.

And we hope you might consider pitching in before moving on to whatever it is you're about to do next. It's going to be a nail-biter, and we really need to see donations from this specific ask coming in strong if we're going to get there.

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